DANIELL, Thomas and William DANIELL. Oriental Scenery. 1816. Later quarto edition.

Daniell (Thomas) and William Daniell. Three plates from 'Oriental Scenery', etchings and aquatint with full hand-colouring, excellent impressions on Whatman wove paper, each platemark approx. 490 x 65

Daniell (Thomas) and William Daniell. Ryacotta, in the Barramah'l; Sankry Droog, two works from Oriental Scenery and Twenty-Four Landscapes, etchings and aquatint with full hand-colouring, both excell

Daniell (Thomas) and William Daniell. Exterior of an Eed-Gah near Chaynpore, Bahar, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove

Suite of (4) contemporary reproduction prints of earlier engravings by Thomas Daniell (1749-1840) and William Daniell (1769-1837) from Oriental Scenery (1795-1808). Dimensions: (Frame) H 28" x W 33.5"

Thomas Daniell (1749-1840) and William Daniell (1769-1837) [INDIAN SCENES] Six color reproduction prints (two duplicates), from Oriental Scenery: Twenty-Four Views in Hindoostan, framed. Images 19 7/8

Large, hand-colored aquatint view of Hindoo Temples at Bindrabund on the River Jumna from Daniel's Oriental Scenery. Hindoo Temples at Bindrabund on the River Jumna by Thomas and William Daniell Large

Thomas Daniell (English, 1749-1840) & William Daniell (English, 1769-1837) Set of Four Aquatints from 'Oriental Scenery' Signed in pencil lower right Aquatint 19 in. h. x 25 in. w., image 28 1/4 in. h

Daniell (Thomas) Near Currah, on the River Ganges, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper without watermark date, pla

Daniell (Thomas) Govinda Ram Mittee's Pagoda, Calcutta, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper with watermark date of

Daniell (Thomas) Ruins at the Antient City of Gour Formerly on the Banks of the River Ganges, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on Whatman w

Thomas Daniell (1749-1840) & William Daniell (1769-1837), Mausoleum of Kausem SolamaneeColored aquatint, later printing, in a Flemish-style ebonized frame.19 x 25 1/2 inches (visible)

Daniell (Thomas) and William Daniell. An Hindoo Temple, at Deo, in Bahar, from Antiquities of India, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

Thomas and William Daniell, 19th Century aquatint, 'The rock of Trichinopoly', 17.5" x 23.5".

Thomas and William Daniell, (18th Century) 'The Armenian bridge, near St. Thomas's Mount, Madras', a hand-coloured aquatint, paper watermarked 1794 19" x 25.75" (48 x 65cm).

DANIELL, Samuel (1775-1811) and William Daniell (1769-1837) Sketches Representing the Native Tribes, Animals and Scenery of Southern Africa. London: Richard and Arthur Taylor [for] William Daniell and

Daniell (Thomas) Five plates, from "Views in Calcutta", from a set of 12, etchings and aquatint with hand-colouring, images each approx. 405 x 525 mm (16 x 20 3/4 in), laid onto paper mounts [?] as is

Four framed hand coloured prints including two David Roberts lithographs of Egypt and two Thomas Daniell aquatints of India. Largest Framed Size 33" X 28"

Fuller, Thomas A Pisgah-Sight of Palestine and the Confines Thereof, with the History of the Old and New Testament acted thereon London: Printed for J. F. for John Williams, 1650. First edition. Folio

LEE, WILLIAM The True And Interesting Travels of William Lee... London: T. and R. Hughes, [1808]. Second edition (first obtainable, see note). Later brown calf. 6 3/4 x 4 inches (17.25 x 10 cm); [3],

Thomas, Edward 15 books, comprising The Woodland Life. Edinburgh: William Blackwood and Sons, 1897. First edition, 8vo, original green printed cloth gilt, frontispiece, covers slightly faded; [Idem] W

circa 1690, manner of Thomas Pistor, molded cornice, bolection frieze drawer, paneled doors open to a well fitted and inlaid interior with a bank of drawers surrounding a central cabinet with recessed

Thomas Hart Benton (1889-1975), black ink lithograph, 'Running Horses', 1955, signed in plate Benton ‘52, and pencil signed lower right in margin, Thomas H. Benton. From an edition of 100. Plate

THOMAS HART BENTON (AMERICAN 1889-1975), LITHOGRAPH, "BACK FROM THE FIELDS", PENCIL SIGNED LR AND SIGNED (IN PLATE), EDITION 250, PUBLISHED BY ASSOCIATED AMERICAN ARTIST. SIGHT 10 1/2 X 13"; FRAMED AN