CUT OVERLAY STAR AND QUATREFOIL STAND LAMP

CUT-OVERLAY STARS, QUATREFOILS, AND PRISMS PRESENTATION KEROSENE STAND LAMP, opaque white to colorless, large pyriform font with a complex pattern including quatrefoils, ovals, prisms, and stars, rais

CUT OVERLAY QUATREFOIL KEROSENE STAND LAMP, white cut to jade green pyriform font, starch blue Baroque base, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

Ruby Overlay Cut to Clear Oil Lamp circa 1860. with quatrefoils, stars and punties. Fluted brass base and marble base. With period burner, engraved shade, prisms and chimney. Ht. 23 1/4 in. The lifelo

A pair of 19th century American Victorian Period fluid lamps. Cobalt Blue overlay cut to clear glass fonts with star and quatrefoil design, on brass column form stems with stepped Marble bases. Minor

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

Fancy Victorian Oil Lamp. Cut overlay stand lamp. Opaque white cut to ruby large windows between punties font, alabaster/clambroth stem, single-step marble base. Holmes, Booth & Haydens Brilliant No.

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

1860-1880. Glass, brass, marble. Cranberry cut to clear font with a geometric design, brass connector, brass stem, 2 step marble base with brass accents. Brass prong burner, #2 big bulge chimney. Smal

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass. White cut to colou

1860-1880. Glass, brass. Cut single overlay kerosene stand lamp with colourless font with ovals and punties decorated with prisms, rose cut to ruby overlay stem, brass connector, marble base. Prong bu

CUT OVERLAY ELECTRIC STAND LAMP, amber to colorless, cylindrical stem with elongated cut, three-step base with cut ovals, modern socket mechanics. Fitted with a paint-decorated bell-form gas shade dep

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Opaque whi

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst overlay to colorless pyriform font, bright yellow-green No. 1 base with gilt decoration highlights, brass connector, No. 1 fine-line collar. Fitted with

CUT OVERLAY TULIP KEROSENE STAND LAMP, white to translucent ruby pyriform font with additional stylized panel and punty cuttings, opaque black Baroque base with gilt decorated bands, brass connector,

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst to colorless compressed pyriform font, stamped-brass stem and single-step marble base, No. 1 fine-line collar. Fitted with a period brass double-tube bu

CUT OVERLAY PUNTY KEROSENE STAND LAMP, cobalt blue to colorless, brass ribbed stem, double-step marble base with stamped-brass ornamentation, brass connector, No. 2 fine-line collar, colorless wafer c

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

American. 1860s. Dietz & Co., New York. Glass, brass, metal. Cranberry cut to colourless font with gold trim of leaves and vines, 3 rows of punties, brass connector. Figural stem of a wolf and a beave