CONTEMPORARY ANGLO-AMERICAN LITERATURE - Erica Jong (New York 1942) Photograph by Fred W. McDarrah -

Berenice Abbott (American, 1898-1991) New York at Night, 1932, later impression, gelatin silver print, pencil signed lower right, image: 13.75"h x 10.75"w, overall (with frame): 25"h x 21.25"w

Gustav Stickley (1858-1942) spiked andirons, #237 Eastwood, New York wrought iron unmarked 16"w x 19"d x 23"h Literature: Gray, Stephen, Collected Works of Gustav Stickley, Turn of the Century Edition

Gustav Stickley (1858-1942) writing desk, #550 Eastwood, New York oak, hammered copper marked with early red decal 32 1/2"w x 14"d x 48"h Literature: Gray, Stephen, The Early Work of Gustav Stickley,

"Harbor". Oil on panel. 1953. Signed and dated lower right. From a New York collection. - Dimensions: 18" h x 24.75" w.

"Hierarchical Note". Oil on canvas. 1953. Signed with initials and dated lower right. From a New York collection. - Dimensions: 40" h x 44" w.

The Roycrofters / Roycroft rare davenport, #054 East Aurora, New York, circa 1905 oak, leather carved orb and cross 74"w x 31"d x 34"h Literature: Albert, Fred, Rancho Roycroft, Style 1900, Summer 201

Gustav Stickley (1858-1942) early chest of drawers, #626 Eastwood, New York oak marked with early red decal 36"w x 20"d x 48"h Literature: Gray, Stephen, The Early Work of Gustav Stickley, Turn of the

Gustav Stickley (1858-1942), designed by Harvey Ellis (1852-1904) inlaid desk, #706 Eastwood, New York oak, fruitwood, pewter, iron marked with red decal 30 1/4"w x 13"d x 44"h Literature: For similar

Rare photograph of an African American woman with face jug and sunflower by J.A. Palmer, Aiken, S.C., circa 1870. H 7" W 4". Condition: Crease in image with minor imperfections. Copy and paste link fo

Style of J. & J. W. Meeks (American (New York), 1797-1869), circa 1850-60. A monumental rosewood and mahogany etagere in the Rococo Revival style comprising a trapezoidal mirrored backboard with tiere

Fine eyeglasses trade sign. Painted cast iron and tin. Original paint. Signed Tompkins. American, probably New York, circa 1865. Condition: Fine original condition. L 22-1/2" H 7". Copy and paste this

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

Wolf Kahn (AMERICAN / GERMAN / NEW YORK / VERMONT, born 1927) original oil painting on canvas titled "House Alone on Edge of a Field" executed circa 1992. Signed to lower center "W. Kahn". Mounted in

Oil on linen USA, 2011 Josephine Halvorson (b. 1981) – American contemporary painter Signed and dated by the artist on the reverse Provenance: Sikkema Jenkins & Co., New York, NY with label on stret

USA, 1967 8 1/4 x 11 in. silver gelatin print Photograph by Fred McDarrah of Carolee Schneemann performing 'Illinois Central: An Evening of Kinetic Theater' at the Museum of Contemporary Art, Chicago,

Gene Davis (American, 1920-1985) Crazy Horse, 1979 acrylic on canvas signed Gene Davis, titled and dated (verso) 67 x 96 5/8 inches. Provenance: Droll/Kobert Gallery, New York Literature: Steven Naife

Berenice Abbott (American 1898-1991) ''New York at Night''- gelatin silver print, 1932, signed in pencil on the mount, later impression. 36 x 28 5/8''

The novelty clock retailed by Camerden & Forseter, New York, American, 19th C. H. 43 cm (17 in.) Dimensions of base: W. 40.5 cm (15 7/8 in.) D. 19.5 cm (7 3/4 in.)

Colin Campbell Cooper (American, 1856-1937), New York Winter Street Scene, oil on canvas, signed lower right, canvas: 24"h x 20"w, overall (with frame): 33.25"h x 28.5"w

Al Qoyawayma B 1938 - Architectural Pottery jar, H 10-3/4" Dia 17". Alfred H. Q̦yawayma is a Hopi potter and bronze sculptor. He is considered an important contemporary Native American artist. He w

Untitled (8-50), 2003 Oil on linen on panel Signed, titled and dated on the backboard of the frame: Thomas Nozkowski 22" H x 28" W Provenance: Max Protetch, New York, NY Property of an Estate, B

Gustav Stickley (1858-1942) settle, #188 Eastwood, New York oak, leather marked with early red decal desirable 'knock down' form 84 1/2"w x 35"d x 35 1/2"h Provenance: Cathers & Dembrosky The Collecti

Untitled, 1949 Oil on canvas Initialed and dated upper center: HS; signed twice and dated verso: Hassel Smith 55.25" H x 72.25" W Provenance: Andre Emmerich Gallery, New York, NY The New Arts, H