Charlie Johnson Payne, 'Snaffles' (British, 1884-1967) 'The Sappers' (Royal Engineers)

Charles Johnson Payne "Snaffles" (1884-1967) British. 'The Steak and Bound', Lithograph, overall 17" x 22.5".

Also known as "Snaffles" (British, 1884-1967), 'Prepare to Receive Cavalry', 'Jack', 'Once Upon a Time', and 'A Sight to Take Home and Dream About', all signed in pencil Each appx. 19-3/4"h x 27-1/4"w

Charles Johnson Payne(British, 1884 - 1967)Merry England and Worth a Guinea a Minute, ca. 1920chromolithographsigned lower right: "Snaffles"inscribed lower left: "MERRY ENGLAND" /

*Charles Johnson Payne, called 'Snaffles' (1884-1967) *Charles Johnson Payne, called 'Snaffles' (1884-1967) 'Once upon a time' chromolithograph in colours with some hand colouring, signed in pencil sh

*Charles Johnson Payne, called 'Snaffles' (1884-1967) *Charles Johnson Payne, called 'Snaffles' (1884-1967) 'That far far-away Echo', c.1915 coloured print, with some hand colouring, with remarque, si

Charles Johnson Payne 1884-1967 (Snaffles) Chromo Lithographs "Once Upon a Time" and "The Season 1939-40" Signed in Pencil. Dimensions: Frame Size: 27 x 34.5

Charles "Snaffles" Johnson Payne (United Kingdom, 1884-1967) fox hunting print, pencil signed, 9 1/2"h x 9"w sight, together with "A Fox Hunter's Dream" print, 24"h x 18"w sight

After Charles Johnson Payne. (1884-1967) Carpet Beaters V Bobbery Wallahs. Framed. Provenance: Castlehyde House, Co. Cork, Ireland 50 x 75 cm.

Attributed to Garnet Ruskin Wolseley (British, 1884-1967) "Story Time by the Garden Window" oil on canvas unsigned. Presented in a giltwood frame. 42" x 52", framed 54" x 62-1/2" Provenance: Sold in t

Rolex Milsub 5513 made for the British Royal Navy, '70s Stainless steel round case, n.3927201, fixed spring bars, black aluminium bezel turned to blue, case-back engraved with the Broad Arrow and issu

Andre Groult, French (1884-1967) Art Deco Carved, Gold Leaf and Upholstered Bergeres. Custom upholstery fabric cut velvet by Rubelli. Measure 31-1/2" H, 33" W, 36" D. Provenance: Louisville, Kentucky

(American/British, 1884-1977) glazed ceramic figure of two racehorses wearing yellow blankets, signed "Kathleen Wheeler", 8-1/2 x 11 x 5 in.; horses with groom and yellow blanket, signed "Kathleen W

EXTREMELY RARE, LARGE AND FINE EXAMPLE OF AN 18TH CENTURY SIX-DRAW VELLUM-COVERED TELESCOPEMain tube marked "A 7" and is embossed with foliate and scroll designs and with the British Royal C

ANDRÉ GROULT (1884-1967) Guéridon circulaire à structure en chêne teinté et bois teinté, piétement formé de cinq colonnettes laquées noir, sabots olive, ce

Middle East.- Saudi Arabia.- Saudi Aramco (publisher) and others. Collection of maps and ephemera compiled by a British Engineer working in the Middle East, including 5 laminated maps of Saudi Arabia,

Charlie Mackesy (British, born 1962) A Study for the Cover of The Boy, the Mole, the Fox and the Horse signed 'Charlie Mackesy' (lower centre), titled 'The Boy The mole The fox and The Horse.' (upper

Charlie Mackesy (British, born 1962) I Can Fly signed 'Charlie Mackesy' (lower centre) ink on paper 25 x 25cm (9 13/16 x 9 13/16in). (unframed) This lot is subject to the following lot symbols: &#8224

AN IMPORTANT PAIR OF GUILLOCHE ENAMEL DESK SEALS INCLUDING ONE WITH ROYAL BRITISH PROVENANCE comprising: (a) A vari-colored gold and translucent enamel desk seal, possibly by Faberge, circa 1908 ename

Gerald Summers (British 1899-1967) for Makers of Simple Furniture DINING TABLE circular inset Heals label to underside of upper surface, birch plywood with black lacquer (73cm high, 150.5cm wide, 107c

1572 Elizabeth I Parchment Charter (Royal Pardon) W/Noble Seal Exhibited in British Museum - This royal pardon is on parchment (animal skin), and is a formal general pardon for the "Portrieve and Burg

Johnson, Charles Edward (British, 1832-1913), The Horse Dealer, 1875, (exhibited at the Academy) oil on canvas, 46.5 x 71.5 inches, signed and dated lower right, framed in a gilded exhibition frame me

SARGENT JOHNSON (American, 1888ñ1967), "Divine Love," 1932, etching, image size: 6 x 4.5 inches, overall (framed): 14.75 x 11.5 inches. Pencil signed and dated lower right, titled lower left.

John Collier (British, 1850-1934) The Lute Player, 1884 oil on canvas signed John Collier and dated (lower left); titled (stretcher) 60 x 45 inches. Literature: (Possibly) W. H. Pollock, The Art of Th

British School (18th Century) The Royal Observatory, Greenwich and its meridian buildings from the south-south-east, c. 1790 Oil on canvas 63.8 x 86.4cm (25 x 34in). Footnotes: Whilst we have n