Carel I Van Mander (1548-1606) - attributed to,

Rembrandt van Rijn (Dutch, 1606-1669)Attributed: The Cook. 20th century restrike etching on paper, signed and dated in the plate (1635), framed under glass.Dimensions: 4.25 x 3" plate/ 15 x 12.5" fram

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Attributed to Carel "Charles" van Falens (Netherlands, 1683-1733) oil on panel genre scene depicting a nobleman astride and another preparing to mount their horses observing a farrier shoe a white hor

Rembrandt van Rijn; Attributed (Dutch 1606–1669) Woman at the Well Pen and brown ink drawing On laid paper with watermark Size-10 1/8x7 7/8 in. Please note that this lot has a confidential reserve.

This beautiful oil on canvas painting with antique gilt frame, which features a gathering of gentlemen, is attributed to Rembrandt Harmenszoon van Rijn (1606-1669), a Dutch Baroque painter and printma

Attributed to Carel Nicolaas Storm Van's Gravensande, Dutch, 1841-1924. Watercolor on paper depicting a seascape. Bears the signature "Storm Van Gravensande" lower right. Good condition. Image 13 1/2

1800's Etching , Village Dock w Family , Signed in Pencil , Original Marshall Field's Label . Measures about 14"x18"Attributed to Carel Nicolaas Storm van Gravesande

Oil on metal, framed. Featuring portrait of man. Label on verso reads "Tthis is a genuine 17th century Dutch oil painting attributed to Rembrandt Harmenszoon va Rijn 1606-1669". Stamped with "Galerie

Description After Ivan Konstantinovich Aivazovsky - attributed to - (RUSSIAN FEDERATION / UKRAINE, 1817 - 1900) oil painting on canvas depicting a marine seascape scene with ship in choppy waters with

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

Attributed : Ivan Shishkin Russian Oil Painting on canvas. Signed Lower Right. Measures 36 inches high x 24 inches wide + 2 1/2 inch frame.

Seascape with Boats. Signed l/l. Oil on Canvas. 24 by 37 in., overall 30 by 42.5 in.

Attributed : Ivan Shishkin Russian Oil Painting on canvas. Signed Lower Right. Measures 30 inches high x 24 inches wide + 2 1/2 inch frame.

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

After Van Gogh - Attributed to Emile Schuffenecker Oil Painting. Late 19th century / early 20th century oil on canvas painting attributed to French Post-Impressionist artist Claude-Emile Schuffenecker

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o