BRUCE BARNBAUM - Central Arches, Wells Cathedral, 1980

Bruce Barnbaum (American, b. 1943) Circular Chimney, Antelope Canyon, 1980 Gelatin silver print 20 x 16 (in) 28.25 x 22.25 x 1 (in) Framed Signed in pencil Barnbaum, lower right Dated, lower left of m

Hand knotted wool Turkmen prayer rug, having a central medallion as well as arches with hooked horns called 'kejebe' on a navy ground, within a geometric mihrab, the soumak kilim ends woven with polyc

Pair of cathedral photographs

THIS LOT IS TO BE SOLD WITH NO RESERVE. Property from an esteemed Private Collection, Pasadena, CA ARTIST: Bruce Barnbaum TITLE: Nave from North Choir Aisle, Ely Cathedral, 1981 MEDIUM: Silver Gelatin

One photogravure print by Bruce Barnbaum (American, b. 1943) titled "Lay Brothers' Refectory, Fountains Abbey, England ". This image was taken in 1980. It is signed on the lower right "Barnbaum". This

A striking French Art Deco carved marble mantle clock with matching garnitures set. Large and impressively carved cathedral arch form pink marble body with central opening for clock movement (measures

6 3/4" Archaic Spear. Central Missouri. Large and well flaked with beveled edge. Glossy tan and gray chert with water polish. G9. Ex-Bruce Miller. Bennett COA

Late Qianlong Era, circa 1790 bearing the arms of BRUCE, reticulated border with blue & white diapered well, central blue & white armorial with gilt accents. 13 in. L., 10 in. W. For further example,

Gibson 1980 Sunburst Guitar. Model ES-175D. Highend carved solid wood arch top guitar. Maplewood in sunburst finish. Measures - 41" high x 16" wide.

A Carved wooden face mask with classic form and features, embellished with kaolin clay pigments and shows a well handled surface. Lega peoples, Bwami society, DRC/ Congo, central Africa. The mask meas

Highly polished muticolored drilled Hardstone example from Central Ohio. Ex- Art Heaton Collection, well known former president of a Ohio Arch. Chapter. Jackson G-10 COA.

c.1875, designed as 6 wells separated by small shell twists radiating from a central well, 10". Catalogued and curated by Nicolaus Boston. Flower Family Collection.

Six Minton Majolica Oyster Plates, England, c. 1873, each with mottled glazes and six wells surrounding a central well, all framed within shell and seaweed borders, impressed marks, dia. 9 in.

20th Century, Glass Cover, Two Rows Of Paneled Doors, With Birds And Peonies In Gilt, Fitted Interior, Open Central Well, Cabriole Legs, Height 46.25, Width 62.5 Depth 21.5 Inches. Some Locks Not In W

(2) Reed & Barton Francis I sterling silver serving pieces, comprising: (1) tureen with reversible serving lid; (1) meat serving tray with central well and tree. Both marked for Reed & Barton sterling

Plates, by Harald Nielsen, model 600 Y, 1945-177, of circular form, with central well and spreading outer rim, marks below, total weight 7000gm, diameter 28cm (12)Provenance: Estate of Renee Markovic

Oversized, custom designed and crafted contemporary cherry wood granite top back bar, the upper portion with a central arch over three beveled glass mirrors interspaced with carved corbels and flanked

SIXTEEN EXPORT BLUE AND WHITE DISHES China, 18th-19th century, two large dishes with a floral arrangement in a basket in the central well, a band of floral sprays around the rim; seven slightly smalle

A French or Italian Giltwood and Gesso Carved Sectional Mirror, Late 19th century, architectural stepped cornice surmounted by a garland and ribbon with central arch and beveled glass, 77 1/2" x 35",

Of a shallow dish body with a flora petal-barbed rim. The central medallion well-painted in soft cobalt-blue tones with a vigorous dragon flying amidst flames and clouds, borne on slender interlaced v

Griffen, Smith & Hill Etruscan Majolica Pink-Border Six-Pocket Oyster Plate Circa 1880 The central pink well encircled by six naturalistic oyster shells resting on a bed of seaweed, within a pinked te

English, c.1860, in mahogany with flame mahogany veneers, central Gothic arch cupboard doors opening to reveal eight satinwood fronted drawers, four larger drawers below, carved mahogany crest above,

LARGE Fine Chinese Qing blue and white porcelain charger, with a shallow dish body rising round side to open wide rim. The central medallion well-painted in soft cobalt-blue tones with composite flora

Marc Chagall (1887-1985) Vue de Notre-Dame (Mourlot 977) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 34/50 in pencil, published by Maeght, Paris, the full sheet, with pale t