BROWN, Frederic (1906-1972). Night of the Jabberwock. New Y...

Yehiel Shemi (1922-2003) "New-York 1972" Inscribed Y. Shemi Painted steel 12 3/4 x 10 x 10 3/4 inches Provenance: Betty Parsons, New York Acquired from the above by the present owner Accompanied by a

Louise Nevelson (Russian/American, 1899-1988) "Night Tree", 1972 lead intaglio relief on paper Pace Editions, Inc., New York, N.Y., pencil signed, dated and numbered "104/150" and titled lower margin.

NIGHT OF THE JABBERWOCK BOOK BY FREDRIC BROWN

Lot 20 Vladimir Fuka Czech (1926-1977) Untitled (Abstract in Red, White, Brown, and Blue) (1972) mixed media on board mounted to wood roundel signed lower right Provenance: from a private New Yor

Portrait of an English Setter, signed and inscribed lower right: Frederic Remington / To my friend, Louis Brown, oil on canvas laid to masonite mounted on wooden stretchers, 20.75'' H x 28'' W, est: $

Richard Field Maynard American, 1875-1952 Anais Nin in an Italian Chair, 1924 Signed and dated RFMAYNARD/1924 and stamped ROMAN BRONZE WORKS N-Y- on the base Bronze with a brown patina Height 12 inche

Item/Description: Oil painting, cityscape at night. Signed lower right. Signed and titled in verso: United Nations, New York. Johann Henrik Carl Berthelsen was an American Impressionist painter, as we

[NEW YORK] CONWAY, FRED (1900-1972). American Airlines / New York. Circa 1965. Offset lithograph with a painterly depiction of the glittering lights at Times Square at night. 40 ¼ x 29 ¾&#82

FITZGERALD, F. SCOTT. 1896-1940. Tender is the Night. New York: Charles Scribner's Sons, 1934. 8vo. Publisher's blue-green cloth, spine lettered in gilt, upper cover stamped in blind, original pictori

John George BrownNew York/California, (1831-1913)Cheer Up, 1905oil on canvassigned and dated lower left, gilt-framed.Brown was born and raised in poverty in Durham, England, where he worked as an appr

A PIGMENTED’ PURPOSE, 2015, acrylic and metal leaf on linen, signed and dated on verso, 84 x 60”. Provenance: Kohn Gallery, Los Angeles. From the collection of Kaley Cuoco.

Charlie Dye (1906 - 1972) The Fence Rider, 1958 oil on board 16 x 20 inches 20.5 x 24.5 inches (frame) Signed Lower Left: Charlie Dye PROVENANCE Private Collection, Laguna Woods, California

House in a landscape with figures Oil on canvas laid to masonite Signed and dated lower right: J.F. Folinsbee / 1913 8'' H x 10'' W Provenance: Private Collection, Altadena, CA. Notes: Framed size: 14

John Appleton Brown Massachusetts,1844-1902 Impressionist depiction of a brown cow drinking from a pond surrounded by lush green trees. Brown travelled to France to study old master paintings where Em

JOSEPH BINDER (1898-1972) NEW YORK WORLD'S FAIR / THE WORLD OF TOMORROW. 1939. 30½x20 inches, 77½x50¾ cm. Grinnell Litho. Co., Inc., New York. Condition A-: small replaced losses and ex

Hermann Nitsch "Reliktmontage" (chasuble) 1972 blood on chasuble; framed 100 x 70 cm signed and dated on the inside: hermann nitsch 1972 New York collection Francesco Conz, Verona; private collection,

Johann Berthelsen (American, 1883–1972) New York Under Snow - St. Patrick's Cathedral Signed 'Johann Berthelsen' bottom right; also inscribed with title verso, oil on canvas laid down to board19

Johann BerthelsenNew York, Connecticut / Denmark, (1883-1972)New York City - Federal Hall (formerly the Sub-Treasury) with Trinity Churchoil on canvassigned lower right, framed.Johann Berthelsen was b

A George III Giltwood Mirror Circa 1800 Height 70 x width 50 inches. Provenance: Sydney Brown, New York The Estate of David Easton Doyle, New York, 28 March 2007, Lot 383

A LARGE STERLING SILVER KIDDUSH CUP BY HENRY PETZAL (Berlin, 1906 - New Jersey, 2002). On a round base with inverted conical lower portion. Upper portion outwardly tapering with gilded interior. Hand

ARTIST: John George Brown (New York, California, 1831 - 1913) NAME: Girl Amongst Queen Anne's Lace MEDIUM: watercolor on paper. Paper applied to cardboard. YEAR: 1890 CONDITION: Excellent. Some age to

Frederic Bridgman (New York, France,1847 - 1928) Painting of two horses and a woman, "The meeting Place". With sailboats in the distance. Oil on canvas. Sight size: 14 x 18 inches. Signed lower left.

circa 1932 etching on paper signed lower right, ed. of 135 image size 8 1/4 x 8 3/4 inches

Brice Brown (b. 1972): Q06 </> Chromogenic print with enamel, number 1 of 2, with label from Schroeder, Romero & Shredder, NY. 48 x 48 in. (sight), 50 x 50 in. (frame). </> </>Works From the Melva Buc