British censorship trial 1680

Studio of Sir Peter Lely, R.A. (British, 1618-1680) "Portrait of a Gentleman in Armour and Lace Cravat, Landscape in Background, Probably Sir Thomas Myddelton, 2nd Bt. (1651-1684)" oil on canvas unsig

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Seated Lady in an Exterior Oil on canvas49 3/4 x 40 1/4 in. (126.4 x 102.2cm) Provenance Private Collection, Virginia.

SIR PETER LELY (BRITISH, 1618-1680), OIL ON CANVAS, H 48.5", W 39", FRANCIS CONTELS OF DORSETT WIFE OF RICHARD EARL OF DORSETT MOTHER OF MARY COUNTELS OF ORRERY AN. 1646 Depicted in a forest landscape

Follower of Sir Peter Lely (British 1618-1680) Portrait of a Lady, Said to be the Duchess of Marlborough, Half-Length Oil on canvas 27 1/4 x 23 1/4 in. (69.2 x 59.1cm) PROVENANCE: Private Collection,

Manner of Sir Peter Lely (British, 1618-1680), "Portrait of a Lady in Green Silk Robes", oil on canvas, unsigned, 49 1/2 in. x 40 in., framed with artist plaque

After Pieter Lely (British, 1618-1680) oil on canvas self-framed portraits of Charles II, King of England, Scotland and Ireland (1660-1685) and his brother James II, King of England, Scotland and Irel

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Man, Bust-Length, Said to be Sir Richard Newdigate Oil on canvas 30 x 25 in. (76.2 x 63.5cm) PROVENANCE: Private Collection, Virginia.

Lely, Attributed to Sir Peter (Dutch/British, 1618-1680), Young Woman with Her Dog, oil on canvas, 17th century, 22.75 x 19.5 inches, in a painted wood frame 30 x 27 inches, flowers, building and foun

After Sir Peter Lely (British, 1618-1680) 18th Century Portrait of a Lady oil on canvas 29 1/4 x 24 1/4 inches. Property from a Private Collector, Chicago, Illinois

After Sir Peter Lely (British, 1618-1680) "Portrait of the Duke of York, Later King James" oil on canvas unsigned, feigned oval, expository inscription en verso, after the ca. 1665/70 unfinished portr

After Sir Peter Lely (British, 1618-1680) "Portrait of King Charles II" oil on canvas unsigned, feigned oval, after the 1675 portrait in the National Portrait Gallery, London. Framed. 29-1/2" x 24-3/4

After Sir Peter Lely, Dutch/British, 1618-1680. Oil on canvas depicting a young lady draped in satin. No apparent signature. Original canvas has been lined; a repair to the canvas at the right area of

Manner of SIR PETER (PIETER) LELY (British, 1618-1680), Portrait of Jane Hawkins, oil on oval canvas, (Approximate dimensions - oval canvas: 29.5 x 25 inches, oval framed: 33 x 29 inches); two label a

Circle of Sir Peter Lely 9Dutch-British, 1618-1680) Portrait of a Lady. Oil on canvas 30" x 25" Frame: 37.5" x 32.25"

Sutton Nicholls (British, active 1680-1740). Hand-colored lithograph depicting a bird's eye view of Hanover Square in London. From John Stowe's "Survey of London," ca. 1754. With notable str

BRITISH IMPRINT: THE TRIAL OF MARIE ANTOINETTE Contemporary British imprint: "Authentic trial at large of Marie Antoinette, late Queen of France, before the Revolutionary Tribunal at Paris, on Tuesday

(MILITARY--AMERICAN REVOLUTION.) The Trial of the British Soldiers, of the 29th Regiment of Foot, for the Murder of Crispus Attucks. . . . 146 pages. 12mo, contemporary tree calf, minor wear; front hi

after HARLOW, George Henry, (British, 1787-1819): "The Trial of Queen Katherine", after the original, Oil/Canvas, 36" x 50.5", framed 44.5" x 58". Condition: Craquelure throughout, scattered inpaint,

British School (19th Century), Trial of the Boy in Blue, 1888, oil on canvas, signed J.P. and dated lower right, canvas: 24"h x 36"w, overall (with frame): 34"h x 46"w

Tess Jaray (British, b. 1937), Composition, 1973, trial proof on Arches paper, inscribed, signed, dated in pencil. [Sight: 20 1/2" H x 25" W; Frame: 22 3/4" H x 27 1/2" W]. Stains; toning; fading; scu

PAIR OF REVERSE PAINTED PRINTS ON GLASSBy W.B. Walker, British, 19th c. Both depicting the 1817 trial of Dr. James Watson for high treason; one a courtroom scene, the other an allegorical depiction of

''The Trial of Effie Dean'', courtroom scene, appears unsigned, titled on a frame plaque, oil on canvas, 33'' H x 50.75'' W, est: $1000/2000 Provenance: The Estate of Julius Hauser, Los Angeles, CA by

Howard Hodgkin, (British, 1932-2017) Red Eye 1981, pencil initialed and dated, numbered 90/100 verso (there were also 30 artist's proofs, 2 printer's proofs, 2 Solo Press impressions, 2 trial proofs a

"One Eyed Peasant", 1991 Color Serigraph on paper, (Trial )signed lower right an dedicated on the verso. Dimensions: Framed H32" x W25", sight H 29" x W22" Condition: No issues to note.