Brian Hunt - Untitled

circa 1986 bronze inscribed, dated, and numbered 5/6 in casting the column 48 inches high; the bronze 11 inches high; 59 total inches high

Richard Howard Hunt (American, b. 1935) Untitled, 1974 lithograph signed in pencil lower edge BFK Rives France blindstamp lower left inscribed Lakeside II Artist's Reference #RH 219LS 22 1/8" x 29 5/8

Richard Hunt (American, b. 1935) Untitled (three works together) papercast and color lithograph signed and numbered edition 13/50; 16/50; 16/20 (first two embossed) published and printed by Lakeside S

Richard Howard Hunt (American, b. 1935) Untitled, 1974 lithograph signed in pencil lower edge, inscribed Lakeside II edition of 85 Artist's Inventory # RH 224LS 14" x 11 1/8"

Richard Howard Hunt (American, b. 1935) Untitled, 1976 color silkscreen signed in pencil lower center Artist's Proof 22 1/4" x 33 1/8"

Richard Howard Hunt (American, b. 1935) Untitled lithograph signed lower right edition of 50 22" x 30"

Richard Howard Hunt (American, b. 1935) Untitled, c. 1972 lithograph printer's proof signed and annotated "B.A.T." in pencil Landfall Press stamp lower right 10" x 10"

Contemporary Art work depicting a cave painting of a prehistoric Buffalo Hunt. Untitled. Encaustic oil three dimensional mixed media on canvas. Signed illegible lower right. Measures 19 x 41 inches.

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors image: 11.25 h × 8.625 w in (29 × 22 cm) sheet: 17 h × 12.75 w in (43 × 32 cm) Sig

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors 11.25 h × 8.625 w in (29 × 22 cm) Signed, dated and numbered to lower edge '11/250 KAWS 20'. This work is n

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors 11.25 h × 8.625 w in (29 × 22 cm) Signed, dated and numbered to lower edge '84/250 KAWS 20'. This work is n

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors image: 11.25 h × 8.625 w in (29 × 22 cm) sheet: 17 h × 12.75 w in (43 × 32 cm) Signed, dated and numb

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors image: 11.25 h × 8.5 w in (29 × 22 cm) sheet: 17 h × 12.75 w in (43 × 32 cm) Signed, dated and number

Hunt Slonem Untitled 1992oil on canvas25 h × 30.5 w in (63 × 77 cm) Signed and dated to verso 'Hunt Slonem 1992'.

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors image: 11.25 h x 8.625 w in (29 x 22 cm) sight: 12.125 h x 9.625 w in (31 x 24 cm) Signed, dated and numbe

Hunt Slonem Untitled 1995oil on Masonite in artist's frame 16.25 h × 14.375 w in (41 × 37 cm) Signed and dated to verso 'Hunt Slonem 1995'. This work will ship

Hunt Slonem Untitled 2017oil on panel in artist's frame 12.75 h x 10.5 w x 1 d in (32 x 27 x 3 cm) Signed, dated and inscribed to verso 'CEROOZ70 Hunt Slonem 2017'. Provenance:<

KAWS (Brian Donnelly) Untitled (from the Urge portfolio) 2020screenprint in colors image: 11.25 h x 8.625 w in (29 x 22 cm) sight: 16.5 h x 12.25 w in (42 x 31 cm) Signed, dated and numbere

KAWS (Brian Donnelly) Untitled (Garfield) 2020screenprint in colors on Saunders Waterford 425gm HP hi-white 8.5 h x 12.5 w in (22 x 32 cm) Signed, dated and numbered to lower edge '21/25 KAWS

Hunt Slonem Untitled c. 1996oil on wood in artist's frame 9.375 h x 5.875 w x .5 d in (24 x 15 x 1 cm) Signed and inscribed to verso 'For Marcel With Love Hunt'. Sold with a digital copy of th

Hunt Slonem Untitled c. 2000oil on cardboard 8 h &times; 6 w in (20 &times; 15 cm) Provenance: Estate of Sylvia Miles | Doyle, New York, Doyle + Design, 18 December 201

RICHARD HUNT (1935 - ) Untitled. Lithograph on Copperplate Deluxe paper, 1974. 596x838 mm; 23&#189;x33 inches. Signed and numbered 40/50 in pencil, lower edge. Printed and published by Lakeside Studio

Brian Sharp Untitled 2010oil on canvas 36.25 h x 30 w in (92 x 76 cm) Signed and dated to verso 'Brian Sharp 10'. Provenance: ACME, Los Angeles | Acquired from the prev

Brian Paulsen, Grand Forks, North Dakota. "Untitled". Watercolor, 1998. Since Brian's earliest memories he was keenly aware of his living spaces, people's differences, and their odors. His grandfather