Brenda's Place

Heading: (Music) Author: Benda, Georg Title: Klavierauszug von Romeo und Julie, einer Oper in drey Akten Place Published: Leipzig Publisher:Dykischen Buchhandlung Date Published: 1778 D

"Study for Lighthouse", 2003, mixed media on toned board, signed lower left, titled and dated on Frank E. Fowler of Lookout Mountain, TN label verso (Representing Andrew Wyeth). Housed in water gilt m

"Kyle and the Influence", 2000, mixed media on board, signed lower right, titled and dated on frame tag, Christie's labels verso, in silverleaf mitered molded frame, under linen mat with silver edge,

"The Pantry", 1969, watercolor on paper, signed lower right, titled and dated on Nicholas Wyeth of Cushing, Maine label, also with labels from Special Exhibition at Boston Museum of Fine Arts & a 1973

"Boatman Delivering Goods on the South Fork Shenandoah River, Virginia", c1850s, oil on canvas, unsigned, depicting cattle at a fork in the river, single boatman hauling material downstream, mountain

Cubist Landscape, oil on canvas, signed lower left 'Alb. Gleizes' and dated 1914, a polychrome orchestration of linear and circular forms, having black cartooning. Housed in a contemporary gilt frame

Color Composition, impasto oil on canvas, signed lower right, a blended confetti of pale teal, pink and yellow, unframed, SS: 28 3/4" x 23 1/2", very good condition.

"Campbell's Soup I (Tomato)", 1968, serigraph on paper, signed verso and stamp numbered 28/250, from Campbell's Soup I (F. & S. II.50), (there were also 26 artist's proofs lettered A-Z), published by

Magnificent and Monumental Carved and Painted Figure of Guanyin, 1450-1495, with 18th and 19th c. embellishments, crafted of bai and camphor wood with layers of polychrome lacquer and pure pigment, wi

"Minotaure Aveugle", from the Vollard Suite, pencil signed in margin, ed. 97, Picasso watermark on left hand margin of print, in gilt molded frame, linen mat with gilt liner, glazed, OS: 19 1/2" x 23

"Sir William Headworth Williamson, 10th Baronet", 1924, charcoal on paper, signed and dated along bottom, labels verso from Adelson Galleries of NYC and John G. Hagan of Westwood, Mass. Housed in a re

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

"Listen Lord", oil on canvas, signed verso "A. Douglas", signed and numbered on stretcher in pencil, a New Negro Art Movement / Harlem Renaissance era book illustration for James Weldon Johnson's book

"Banks of the Loire", depicting mother and daughter picking lilies at the river's edge, circa 1880, oil on canvas, signed lower right, titled on tag, housed in an ornate matched corner gold gesso fram

"Granary and Mill", 1959, [Brinton's Mill, Chadds Ford, PA], watercolor on paper applied to illustration board, signed lower right, in silverleaf and barnwood frame, OS: 27 1/4" x 28 1/2", SS: 10 1/2"

"The Red Jacket", a portrait of the greatest of all clipper ships, cutting through rough waves under the sun with all sails set, oil on linen, signed lower left, with a label verso from G.M. Lotinga F

Monumental Japanese Meiji Period Cloisonne Charger, late 19th c., top surface with image of a crane flying above the waves and with smaller birds below, surrounded by a panel of bamboo, cherry blossom

"Crying Girl", serigraph, Originally printed for Roy Lichtenstein’s exhibition at the Leo Castelli Gallery 1963. Catalogue Raisonne: Corlett II.1. Pencil signed in lower margin. Housed in black wood

Girl with a Flower in Her Hair, oil on paper, signed upper left, rendered in Fauvist palette, housed in a vintage gold molded frame with scrollwork painted corners, matted and glazed, OS: 26" x 23 1/2

"Bacchus and Ariadne", a Classical Romantic Theme, oil on canvas, in round format on a square canvas, titled, dated and signed lower right in pencil on blank portion of canvas, possibly a study for th

FERDINANDO VICHI (Italy, 1875-1945) - "Pansy", Carrara marble, unsigned, but with the original Florence, Italy receipt from 1902 made out to Mrs. A. P. Adams of Boston. Displayed for years at the Spri

With Etruscan style gold work by C. Civilotti Roma, c 1850. In original leather and velvet display box. 15 1/2" long x 1" high. 33.6 dwt. Fine condition.

Steinway concert grand piano model D with the original Steinway bench.The piano is a model D Steinway, meaning it is 8"113/4 inches in length. Lets call it 9 Foot. It is the model D that is know as a

"Handle on Tree", oil on masonite, signed lower right and dated '75, titled on label verso from Green Mountain Gallery, 135 Greene Street, NYC. Housed in a slat birch frame with shadowline, OS: 13" x