Braccino, Antonio [Artusi, Giovanni Maria]. Discor

A hardcover copy of 'Ippologia Ossia Trattato Universale Dei Cavalli' (Hippology or the Universal Treatment of Horses) by Giovanni Antonio Maria Gazzola having a gilt embossed brown leather binding an

Artist: Antonio Maria De Reyna Manescau (Spanish, 1859-1937) Title: Venice Medium: Oil on Canvas Size: 13 1/4†x 28 1/2†inches (34.9 x 74.9 cm) canvas size Date: Notes: Superb example of the

reca etichetta di provenienza al retro, olio su tela ovale, W. 74 - H. 97 Cm, Galleria d'Arte A. Vitelli, Genova

(Venezia, 1668 - 1725) Fortuna di mare Olio su tela, cm 91X72 Questa burrasca di mare si riconosce al pittore Antonio Marini. La tecnica pittorica tutta di tocco e impasto, con pennellate veloci e dis

Crown and crossed keys above Ciocchi Arms, IVLIVS. III. .PONT. MAX / Nimbate bust of Christ left; .VIA. VERITAS. ET. VITA. (trefoil stops). Ber.984, Fr.69. Rare. VF

ANTONIO MARIA FABRES Y COSTA (SPANISH, 1855-1938) OIL ON COPPER, ON WOOD PANEL, LATE 19TH/EARLY 20TH CENTURY, H 7.25", W 10.25", LA FAVORITE Oil on copper, glued to a wooden panel. Signed lower right.

Rome, Chalcography Cam.le, 1805. Cm 195 x 187. Map divided into 10 parts with its own title, each consisting of 6 sheets 19 x 31 cm, with numerous ships, a large title cartouche, a cartouche entitled

Antonio Maria Blanco (New York, California / Indonesia, Philippines, 1911 - 1999) Original mixed media painting on paper. Possibly a late self-portrait. Signed verso. Housed in likely the original art

Cardiology.- Lancisi (Giovanni Maria) De motu cordis et aneurysmatibus, opus postumum in duas partes divisum, second edition, half-title, title in red & black with engraved vignette, 8 engraved plates

Antique 19th century oil painting portrait after Antonio Maria Esquivel. Gilt carved frame. [Art: 22 1/4 x 17 1/2 inches; Frame: 34 1/2 x 30 inches]. In good condition.

Giovanni Maria Benzoni (Rome, 1809-1873) Spring signed G M Benzoni, FA 1855 Roma 27"h; 15" at widest

Antonio Costa Y Fabres (Spanish, 1834-1938) (also Antonio Maria Fabres Y Costa) watercolor depicting an interior scene with a man holding a bottle. [Art: 38" H x 25" W; Frame: 54" H x 39 1/2" W]. In g

BIANCHINI, Francesco. Hesperi et Phosphori nova phaenomena sive observationes circa planetam Veneris. Roma, Giovanni Maria Salvioni, 1728folio big, mm. 404x275; Contemporary half vellum binding, title

Uzzino Antonio Maria, Guida per ben visitare la Nuova Gerusalemme nel Sacro Monte di Varallo. Varallo: s.e., [1779]. In-8° (mm 200x120). Pagine 143, [1] con 1 ritratto di san Bernardino fonda

born Giovanni Maria Mastai Ferretti, head of the Roman Catholic Church from 1846 to 1878, the longest papal reign to date, signed handwritten note or short letter dated Rome, July 4, 1861, signed bold

Signature on back reads, "G.M. Benzoni" (Giovanni Maria Benzoni). Measures 29.5" tall, very heavy. Has several scratches and white marks. Third-Party Shipping or Personal Pickup Required.

olio su tela, W. 73 - H. 61 Cm

(Venezia 1675 - 1741) La continenza di Scipione Olio su tela, cm 130X100 L'opera, come indica Filippo Pedrocco nella scheda critica allegata, presenta caratteri di stile e qualitativi tipici dell'arti

The Bacino de San Marco, with the Doges Palace and Campanile, oil on canvas, unsigned, in an early Italian gold molded frame, OS: 23 1/2" x 36 1/2", SS: 20" x 30", cleaned, relined and retouched.

(Venezia 1675 - 1741) Riposo nella fuga in Egitto Olio su tela, cm 94X126 Ricondotta al catalogo di Giovanni Antonio Pellegrini da Filippo Pedrocco, la tela è una bellissima testimonianza pittorica i

olio su tela, W. 55 - H. 73 Cm

GIOVANNI ANTONIO RAGGI (ITALIAN, 1866-1947?) WATERCOLOR OF MIDDLE EASTERN FIGURES PLAYING CARDS IN STREET SCENE , SIGNED RAGGI , LOWER LEFT - 30" x 21 1/2" ; 36" x 28" FRAMED

Giovanni Antonio Canal, called Canaletto (1697-1768)'The house with the inscription' and 'The house with the peristyle'etchings, circa 1740-1741, the pair printed on one sheet, laid paper, with waterm

after CANALETTO (Italian 1697-1768) [GIOVANNI ANTONIO CANAL] A VENETIAN SCHOOL LANDSCAPE FLOOR SCREEN, CIRCA 1900, oil on canvas, wood, nails, one side with a large triptych landscape resembling a vie