Blanche McVeigh, Church at Boerne, 1951, Ed. 50,

Merry-Go-Round, ed. 50, 1944, aquatint, 10 x 14, signed across bottom: Merry Go Round, 50 prints, Blanche McVeigh,

The Little Bridge, ed. 50, etching, 8 x 9 7/8, signed across bottom: The Little Bridge, 50 prints, Blanche McVeigh

Green Mountain, 50 prints, hand-colored aquatint, 11 x 15, signed across bottom: Green Mountain, 50 prints, Blanche McVeigh

Stow Wengenroth (American/New York, 1906-1978) , "First Congregational Church", lithograph, pencil-signed and inscribed "Ed/50" lower margin, sight 11 1/4 in. x 16 3/8 in., framed . Condition: Toning;

William Lesch (American, 1951) Flower 14 - Prickly Photograph ed. 13 of 50 Signed and dated in pen Lesch 1997/2007 lower right

William Lesch (American, 1951) Flower 05 - Sunflower Photograph ed. 4 of 50 Signed and dated in pen Lesch 1990/2007

William Lesch (American, 1951) Cactus 07- Ocotillo Photograph ed. 3 of 50 Signed and dated in pen Lesch 2000/2007, lower right

William Lesch (American, 1951) Water 03 - Closeup Photograph ed. 13 of 50 Signed and dated in pen Lesch 1997/2007, lower right

William Lesch (American, 1951) Flower 06 - Roses Photograph ed. 4 of 50 Signed and dated in pen Lesch 1989/2007

Blanche McVeigh (American, 1895-1970). "Enough". Color aquatint, 1946. From an edition of 50. Sight: 10" x 7 3/4". Frame: 18 3/4" x 14 3/4". Aquatint depicting two girls with red popsicles. In pencil

Blanche McVeigh (American, 1895-1970) "Accepted" and "Rejected" pair of aquatints, edition of 50 signed in pencil lower right, titled lower left and further inscribed lower center. Both matted, glazed

Framed aquatint on paper, "The White Horse," signed in pencil lower right Blanche McVeigh (Texas, Missouri, 1895-1970), dated 1946, from an edition of 50, sight: approx 11.25"h, 15.5"w, overall: appro

Blanche McVeigh (American, (1895-1970) "Rejected" Etching with aquatint on paper Signed to lower right, titled to lower left, edition out of 50 prints Approx. 21.625" x 19.625" (framed), 9.5" x 12.125

CHARLES WHITE (1918 - 1979) Gideon. Lithograph on cream wove paper, 1951. 565x375 mm; 22¼x14¾ inches, full margins. Edition of 50. Titled and inscribed "Ed. 50" in pencil, lower right. Print

William Lesch (American, 1951) Mexico 01- Two Arches Photograph ed. 13 of 50 Signed and dated in pen Lesch 1992/2007, lower right

Edward Gillum(b. 1938)Ranchos de Taos Church, Taos, N.M.gelatin silver print, negative made 1996, print made 2003, ed. 13/50signed and numbered on the mount, framed.19 1/4 x 15 1/4 inches

Title: Henri RIVIERE (1864-1951) Douarnenez vu de la Route du Grand Bées, Série Le Beau Description: Color lithography Drawn by Verneau, Paris Ed. 600 50 x 64 cm Reserve: $300.00

Michael Sieve (Amer., b. 1951), "Desert Kings -- Sheep", 2010, signed and numbered giclee print on canvas, ed. 11/50, includes certificate of authenticity sight: 28 x 45 in., frame: 35 x 52.5

William Lesch (American, 1951) Landscape 12 - Pond with Rocks Photograph ed. 13 of 50 Signed and dated in pen Lesch 1992/2007, lower right

William Lesch (American, 1951) Flower 30 - Table with Flower Photograph ed. 4 of 50 Signed and dated in pen Lesch 2000/2007, lower right

Shimon Okshteyn (American/Ukrainian, b. 1951)No Smoking, 1985Lithograph in

Richard Anuszkiewicz (American, 1930-2020) Untitled (from Temple series), serigraph on masonite panel, 1978, signed, dated and numbered, from an edition of 50. Size: 41'' x 30'', 104 x 76 cm (board);

Ante Over, etching, 5 3/4 x 7, signed across bottom: Ante Over, Blanche McVeigh

Lawdy, Lawdy - A Rumor, aquatinit, 8 x 9 3/4, signed in plate: "Lawdy, Lawdy - A Rumor", Blanche McVeigh