BESSIE BAMBER (British, fl.1900 - 1910) T

BESSIE BAMBER (BRITISH FL.1900-1910) PLAYING IN THE STRAW Signed with initials lower right, oil on ivorine (17.25cm x 12cm (6.75in x 4.75in))

Bessie Bamber (British, Fl. 1900-1910) A Row of Eight Kittens, 1911 oil on walnut panel signed with initials B.B. and dated 1911 (lower right) 11 3/4 x 40 inches. This lot is located in Palm Beach.

Bessie Bamber (British, active circa 1900-1924) A kindle of kittens signed with initials and dated 'B.B./1909' (lower right) oil on panel 34.9 x 112cm (13 3/4 x 44 1/8in). unframed

Bessie Bamber (Active 1900 to 1924) British, Oil on board, Kindle of kittens. 90 cm x 27 cm.

Limited edition etching 21/52. 19" x 13-3/4" image. Signed lower right. Size 23'' x 31''.

Limited edition etching 21/52. 13-1/2" x 18-1/2" image. Signed lower right. Size 30-1/2'' x 23''.

Edward Brian Seago (British, 1910-1974), "The Squall, Hong Kong Harbor," oil on board, signed lower left, board: 20"h x 30"w, overall (with frame): 29.25"h x 39.25"w

EDWARD SEAGO (British 1910-1974) A PAINTING, "North East Wind, Waxham Beach," NORFOLK, CIRCA 1959, oil on canvas wrapped pressed board, signed L/L, "Edward Seago," verso titled and placed on board, an

Edward Seago, RWS, RBA (British, 1910-1974) On The Beach, Waxham Norfolk signed 'Edward Seago' (lower left), bears title (on the reverse) oil on board 28 x 40.5cm (11 x 15 15/16in). Footnotes:

Edward Seago, RWS, RBA (British, 1910-1974) After storm, Conflans signed 'Edward Seago' (lower left), bears title (on the reverse) oil on board 36 x 51.5cm (14 1/4 x 20 1/4in). Footnotes:

Edward Seago (British, 1910-1974) Landscape Near Ludham oil on canvas signed Edward Seago (lower left); titled (stretcher); numbered 15341 (verso) 18 x 24 inches. Provenance: Watson Art Galleries, Mon

EDWARD SEAGO (British 1910-1974) "A Huntsman in Pinks on a Gray Horse" oil on board, 12.75 x 16 inches, signed lower left. Provenance: Private Collection, Sussex England, passed to current owner throu

Stella Snead(British, 1910 - 2006)Visitation of Birds, 1946watercolor and ink on papersigned and dated lower right: Stella Snead. 46.13 3/8 x 19 1/4 in. (33.97 x 48.90 cm.), Frame: 21 x 27 x 1 in. (53

EDWARD SEAGO RWS (BRITISH 1910-1974) Paris outskirts signed Edward Seago lower left Oil on board 51 x 76cm (20 x 30in) Provenance: P&D Colnaghi, London

Stella Snead(British, 1910 - 2006)Snake Roads, 1945watercolorsigned and dated lower right: Stella Snead 4513 1/2 x 19 1/2 in. (34.29 x 49.53 cm.), Frame: 21 x 27 1/2 x 1 in. (53.34 x 69.85 x 2.54 cm.)

Hans Tisdall (British, 1910-1997) Pared down landscape of a white cliff and dark background. Provenance: Purchased from Albemarle Gallery, London, 1990 Signed l.l. White Cliff II, 1960 Oil on canvas,

Will Roberts (British, 1910-2000) By the Sea signed with initials 'WR' (lower right); further signed, titled and dated 'BY THE SEA Will R '82' (on tape affixed to backboard) oil on board 19 x 24cm (7

Trevelyan, Julian (British 1910-1988), The Thames, circa 1969, etching and aquatint on wove paper, 13.5 x 18.5 inches, pencil signed and numbered 64/75, framed in a gilded Kulicke frame measuring 23.2

Edward Seago (British 1910-1974), landscape, oil on canvas, stamped signature on back, 14" x 18", framed 18" x 25".

Julian Trevelyan (British, 1910-1988) etching, "Fruit Bats", etching with aquatint on paper, pencil signed, edition 123/125, 13-3/4" x 18-1/2" plate, framed 27-1/4" x 31-3/4", very good condition, not

Julian Trevelyan (British, 1910-1988), Aigues-Mortes, La Turbie, and Ephesus (Three Works)etching and aquatint in colors on wove sheets, 1975 and 1973, each pencil signed and titled, the first marked

SEAGO, Edward (British, 1910-1974). Untitled. Cows in Landscape. [20th century]. Oil on Masonite. Signed on lower left corner. Image: 12 x 18 ½ “. Frame: 16 ½ x 22 ½ “. Exce

§ RODRIGO MOYNIHAN R.A. (BRITISH 1910-1990) UNTITLED Signed lower left, indian ink and watercolour (the sheet 51cm x 72cm (20in x 28.25in), unframed)

Julian Trevelyan (British, 1910-1988), Holland, Hay Cart, and Ephesus (Three Works)etching and aquatint in colors, 1972-74, each pencil signed and titled, the first two marked as artist's proofs, with