Balthazar Paul OMMEGANCK (1755-1826)

Balthazar Paul Ommeganck (Flemish, 1755-1826) Landscape with Sheep, Oil on canvas, Signed and dated 1807 lower left. Framed dimensions: H: 19 1/2 x W: 25 in. H: 12 1/4 W: 17 5/8 in. The absence of a c

This wonderful realistic Pastoral Painting is painted on board with a cradle back. Balthasar Paul Ommeganck (1755–1826) was born in Antwerp in 1755. The painting is in the original gilt frame. Balth

Lot 49 Balthasar Paul Ommeganck Belgian (1755-1826) Cows oil on canvas signed lower left 13 x 16 inches Provenance: Estate of Judge Davis Norton and Florence Edelstein

Attributed to B.P. Ommeganck (Flemish, 1755-1826) Sheep in the Countryside, Oil on panel, Framed dimensions: H: 26 7/8 x W: 30 1/4 in. H: 19 3/4 W: 26 1/8 in.

"Personnages" - ink wash on paper, not visibly signed but according to gallery records and inscription verso, this is a work by John Flaxman (English, 1755 - 1826), purchased for $4,500, exhibited in

After Gilbert Stuart (1755-1826), "Portrait of George Polloch," 19th c., oil on canvas, presented in a wide gilt frame with a velvet liner, H.- 29 3/4 in., W.- 24 1/2 in. Note: All of Polloch's childr

Marble of Eros & Anteros, After Francois-Joseph LeClercq (1755-1826) Ht. (inc pedestal) 37 Max W 25 in.

A Pair of Wedgwood Black Basalt Triton Candlesticks Design by John Flaxman Jr. (1755-1826), 19th Century each impressed Wedgwood. Height 10 3/4 inches.

A Wedgwood Jasperware Chess Set, UK, 2006 Stoneware In solid sage green and lilac jasperware; from models by John Flaxman (1755-1826) Impressed “WEDGWOOD” “MADE IN ENGLAND” &#8

A Life-Size Cast Iron Bust of Mercuryearly 20th century, naturalistic casting of the mythological deity wearing his winged helmet, likely after a model by John Flaxman (British, 1755-1826), unmarked.

Josiah Wedgwood and Sons jasperware vase designed by John Flaxman (British 1755-1826), 18th century, having a cylindrical form decorated with Classical style scenes accented with Corinthian columns, 6

Two early19th century antiquarian books. The Iliad of Homer engraved from the Compositions of John Flaxman, R.A., Sculptor, London, 1805. John Flaxman (English, 1755-1826). Collection of Flaxman's com

A Wedgwood sage and lilac jasper dip tablet, 'Apollo and the Muses' after the model by John Flaxman (English, 1755-1826), early 19th century. The verso impressed "WEDGWOOD" and with indistinct impress

A Wedgwood sage and lilac jasper dip tablet, 'Psyche Bound by Cupid' after the model by John Flaxman (English, 1755-1826), early 19th century. The verso impressed "WEDGWOOD" and with indistinct impres

After John Flaxman (British, 1755-1826) Two Engravings. Four engravings by Reveil, after original drawings by Flaxman. Matted and unframed Sight: 4.25" x 8" Mat: 15" x 13"

Napoleon III First Standard (.950) Silver Platter, third quarter 19th century, Paris, by Paul Bour (1826-1902; active 1856-1873), of oval form with gadrooned edge, the rim engraved with the Silver Pil

PAUL SEIGNAC (1826 – 1904) Ready to be hang on the wall. Canvas on the wooden frame. Medium: printed on canvas panel. Diagonal: 25,2" or 64cm. Size: 19,7" x 15,7" (in) or 50 x 40 cm. Date: c.18

PAUL SEIGNAC (French, 1826 - 1904) ,ORIGINAL OIL ON CANVAS ,rare art work, SIZE WITH FRAME 17 1/2 BY 14 INCH .ART WORK WITHOUT FRAME IS 9 BY 12 1/2 INCH .HAS 3 RESTORATION ON THE CANVASE, SOME DAMAGES

Oil painting on panel by Paul Seignac (French, 1826-1904), titled Christmas Morning; signed to lower right; Provenance: Christie's New York, 11/1-11/2/1995 Lot 172; Collection of Eugene Ig

Artist: Paul Guillaume Seignac (1826-1904) Title: Medium: Oil on panel Size: Approx. 14" x 10 1/2" Date: 19th century VV

Paul Seignac (French 1826-1904) Framed Oil on board "Driving a Pair". 31 x 40 cm.

Paul Seignac (French, 1826-1904) Blessing Herself with Holy Water oil on canvas signed P. Seignac (lower left) 31 x 22 ½ inches.

Paul Seignac (French, 1826-1904) Mother and Child oil on board signed Seignac (lower right) 14 x 9 3/8 inches. Property from a Prominent Corporate Collection

Paul Gregoire (French, 1755-d. unknown). Old Master graphite on paper portrait depicting Charles Michel de l'Epee, a French priest who is credited with the standardization of French sign language. Sig