BAERLE, Caspar van. Histo´ria....

Niederlande Commelin, Caspar Beschryvinge van Amsterdam / zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt den huyse der Heeren van Amstel en Amstellant / Haar vergrooting, Rykdom,

After Gerrit van Giesen (1692-1750) by Jan Caspar Phillips (1676-1762): Hofje van Juff Corn. Van Wouw; and Hofje van Nieukoop Two engravings with hand-coloring on laid paper. Both 11 1/2 x 13 1/2 in.

Cornelis van Poelenburgh (1594/95-1667) (attrib.), Panorama of a Dutch town in the evening light with two gentlemen in the foreground, oil on wood, handwritten attribution to Poelenburgh on the verso,

Preußen Johannes Leo Historia Prussiae sub fortunatissimis auspicijs ... D. Christophori in Slvpow Szembek ... episcopi Varmiensis et Sambiensis terarum Prussiae praesidis. Braunsberg Typis Coll. Soc

Botanik Hedwig, Johannes Abbildungen neuer und zweifelhafter cryptogamischer Gewächse. (...) bzw. Stirpes cryptogamicae novae aut dubiae, iconibus adumbratae additaque historia analytica illustra

Brno cantilever chair, Mies van der Rohe for Knoll International, chromed flat steel frame with black leather upholstery and leather pads on the armrests, inscribed on the underside of the cover, 58 x

Sichowsky, Richard von Frau mit dem Spinnennetz. 1965. Abzug von dem original Druckstock "Abend" von Caspar David Friedrich (1817). Holzschnitt auf Zerkall-Btten. 17,5 x 12 cm (34,3 x 24,8 cm). Signi

Picture tile, Delft, 1990, 'Sunflowers' by Van Gogh, on the 100th anniversary of thepainter's death, lim. Edition 218/1000, 30 x 23 cm, in wooden frame, 41 x 34 cm

Sign. Kronenberg, unidentified, visibly inspired by van Gogh painter around 1920, expressive view of a river bank with bridge and opposite city, oil on plywood, u. re. signed, 68.5 x 98 cm, framed 82

René van de Sande (1889-1946) (attrib.), Belgian painter, impressionist view a sunlit tree in autumn in front of the silhouette of a castle, oil on canvas, u. re. undeutl. signed, 50 x 45 cm, fr.

Ladle, Netherlands, 1919, maker's mark J. M. van Kempen & Zoon, silver 833/000, rounded, curved handle, l. 28 cm, approx. 157 g

Hans van Horck, zeitgenössischer niederländischer Künstler, Lithographie, u. re.handsign., mittig dat. 2002 u. li. num. 50/150, 59 x 49,5 cm, hinter Glas u. Pp. ger. 88 x 78 cm German Translation:

Art Nouveau jug, c. 1910-20s, barrel glaze in the style of van de Velde, form based on Persian metal jugs.h. 24 cm,

Hand Coloured Copper Plate Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30cm) Minor offsetting. Good Condition

Hand Coloured Copper Plate Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30cm) Minor offsetting. Good Condition

Hand Coloured Copper Plate Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30cm) Minor offsetting. Good Condition

"Aelmoesseniers Wees-Huys" "Gast Huys" and "Huys Zitten Weduwen Hoff" Copper Plates Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30c

"Aelmoesseniers Wees-Huys" "Gast Huys" and "Huys Zitten Weduwen Hoff" Copper Plates Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30c

"Het Princen Hof" and "Sint Olofs nu Oude Zyds Kapel" Copper Plates Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30cm) Good Conditio

"De Muyder Poort" and "Diakene Oude Vrouwen Huys" Copper Plates Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37 x 30cm) Very minor toning

"Nieuwe Zyds Huys-Sitten Huys" and "De Heylige Steede nu Nieuwe-Zyds-Kapel" Copper Plates Published 1693, Amsterdam for "Beschryvinge van Amsterdam" by Caspaer Commelin. Paper Size: 14.5 x 12 inch (37

(Disneyland, .1969-70s) An original hand-painted stretching portrait on canvas used within Disneyland's Haunted Mansion attraction. As the elevator descends, the portraits would "stretch" to reveal th

(Disneyland, 1969) An original hand-painted on canvas "stretching portrait" used within Disneyland's "Haunted Mansion" attraction. As the elevator descends, the portraits would "stretch" to reveal the

Richter, GerhardElisabeth I. 1966. Offset in Blaugrau (versetzt gedruckt) auf weißem Halbkarton. 70 x 59,5 cm (70 x 59,5 cm). Signiert und datiert. Verso zusätzlich signiert und nummeriert.