Attributed to Thomas Hovenden (1840-1895): Study for Elaine

Thomas Hovenden (1840-1895), engraving "The Old Shaver", sight 22" x 16", overall 35" x 28".

Attributed to Thomas Hovenden (Penna./N.Y./France/Ireland, 1840-95), interior scene with family, oil on canvas. 36" x 54".

THOMAS HOVENDONPennsylvania/New York/France/Ireland, 1840-1895Study for "The Hands of the Enemy". Unsigned. Annotations in pencil lower margin.Pencil on wove paper, 16.5" x 13". Ma

1840-1895. 18-5/8" high x 15-3/4" wide. PA artist. RM IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and will be require

Thomas Hovenden (1840-1995), pencil signed engraving. Sight 20" x 14 1/2", overall 30 1/2" x 24 1/2".

Antique, attributed to William Lucas (English, 1840-1895) Oil Painting. Frame size: 43" x 35" Painting size: 27.5" x 35"

Circa 1840, attributed to Thomas Day, Milton, North Carolina. Set of ten, each having the pierced heart back with banister support on a scrolling base. H34" W19" D17" Note: Sold from the private colle

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse. Possible study for a painting of Westminster

Attributed to Thomas Day, North Carolina, circa 1840. The handsome set of carved heart back chairs are an iconic form of Days. The set is very sturdy and has quality upholstery. H34" each

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Thomas Nast (1840-1902).The Attack on the "Home Guard”. Lithograph with original hand color. New York: Currier & Ives, 1

Attributed to Roland Strasser (1895-1974) Austrian. Study of an Indonesian Man, Oil on Board, Indistinctly Inscribed on reverse, 19.5" x 14.5".

Attributed to Thomas Hart Benton (American, 1889–1975), study for the "Arts of the City" mural for the Witney Museum of American Art in New York City, graphite pencil on paper, signed "Benton" and d

Auguste Rodin (1840-1917)-attributed, Female figure study, pencil with water colour on paper, hand signed, with certificate on the reverse by Edmond Delaye, 30x24 cm

Attributed to Thomas Hart Benton (American, 1889–1975), study for Niagara, New York mural, graphite pencil on paper, signed "Benton" and dated 1960, 15 1/2" h x 12" w (view), 21" h x 17" w (frame).

Attributed to Thomas Hart Benton (American, 1889–1975), study for Niagara, New York mural, graphite pencil on paper, signed "Benton" and dated 1960, 15 1/2" h x 12" w (view), 21" h x 17" w (frame).

(or Ren Bonian, Chinese, 1840-1895) Three album leaves, each with flowering branches and birds, signed in calligraphy and stamped, ink and color on silk laid on paper, 10-5/8 x 16-1/2 in.; unframed No

PHYSIOGRAPHY AN INTRODUCTION TO THE STUDY OF NATURE by THOMAS HUXLEY New York, D.Appleton and Company; 1895 Size 5 1/4 by 7 1/2" XIX, [1], 384 pp Original cloth Very good interior condition, discolora

This painting of a fierce looking cock rooster, proudly strutting under beautifully blooming wisteria flower vine, is attributed to Ren Yi, who was also known as Ren Bonian (1840-1895). Painting, ink

(British, 1836-1855) Head Study of a White Terrier, wearing a collar, unsigned, oil on artist board with "Ackerman...London" colourman label, 8-3/8 x 7-1/8 in.; original gilt wood and composition fram

Circa 1840, North Carolina. The piece having excellent shape and lines with carved swan heads at left and right above turned wood cane/umbrella stand with metal tray to collect water at lower frame. N

attributed to Thomas Day, American Classical Walnut Hall TreeCaswell County, North Carolina, circa 1840, all-over cut out designs including stylized tulips, shaped mirror, later white porcelain pulls,