Attributed to Thomas Doughty 1793-1856 VIEW HUDSO

Attributed to Thomas Doughty (American, 1793-1856) 7 3/4"h x 11 3/4"w

Thomas Doughty (American, 1793-1856); Small Hudson River / Catskill Landscape with 2 Young Figures in the foreground and the River filled with Sail Boats beyond; oil on canvas on stretcher signed lowe

AFTER THOMAS DOUGHTY (AMERICAN 1793-1856), OIL ON CANVAS, AUTUMN ON THE HUDSON, UNSIGNED. 10 X 12"; FRAMED 13 X 15"

THOMAS DOUGHTY, attributed, American 1793-1861, “Sailing on the Hudson River" oil on canvas 22 x 36", framed. Re-lined and professionally restored. Has not been seen by the expert for authentication

(American, 1793-1856) One depicting a waterfall with figures signed l.r. Doughty. The other depicting a sailboat and figure, appears unsigned. 13 3/8"h x 19 1/2"w

O/C RIVER VIEW ATTRIBUTED TO THOMAS CHAMBERS NEW YORK 19THC. UNSIGNED CANVAS STENCILED I. W. GEAR NEW YORK 1866 No 1067 18" X 24"

Attributed to Thomas Chambers (American, 1808-1866). A Hudson River School oil on canvas depicting a view of West Point. Unsigned. Gilt framed. Canvas: 18in x 24in.

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo

Attributed to Thomas Hart Benton (American, 1889–1975), study for Niagara, New York mural, graphite pencil on paper, signed "Benton" and dated 1960, 15 1/2" h x 12" w (view), 21" h x 17" w (frame).

Attributed to Thomas Hart Benton (American, 1889–1975), study for Niagara, New York mural, graphite pencil on paper, signed "Benton" and dated 1960, 15 1/2" h x 12" w (view), 21" h x 17" w (frame).

Attributed to Francesco Guardi (Italian, 1712–1793), oval floral still life with bird, oil on board, circa late 18th century, 39" h x 31 1/2" w (view), 40 1/2" h x 35" w (frame). Provenance: from th

A pair of mixed media (pencil and watercolor) paintings on paper is attributed to Friedrich Eisenlohr (German, 1805-1856). The paintings depict the Baumbergs landscape and architectural view, 1838. On

THOMAS HART BENTON, THIRTY YEARS' VIEW; OR, HISTORY OF THE WORKING OF THE AMERICAN GOVERNMENT FOR THIRTY YEARS, FROM 1829 TO 1850 (New York: D. Appleton and Company, vol. 1: 1854, vol. 2: 1856), 24.5

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"

(British, 1803-1902) Cows Resting by a River, signed lower right "T. Sidney Cooper.R.A./1877", oil on canvas, 17-7/8 x 24-1/4 in.; gilt wood and composition frame, 25-1/4 x 1-5/8 in.

Oil on canvas. Approx. 50" x 40" unframed, 55" x 45" framed. Relined. Flecking.

(British, 1701-1779) Portrait of a Gentleman in a Fur Trimmed Blue Velvet Jacket and Holding a Tricorn Hat, within a feigned spandrel, unsigned, oil on canvas, 29-1/2 x 24-1/4 in.; gilt wood cove mold