Attributed to the Workshop of FRANCISCO ZURBARÃN (Fuente de Cantos, Badajoz, 1598 – Madrid,

FRANCISCO DE ZURBARÁN 1598 Fuente de Cantos - 1664 Madrid (Umkreis) SIBILLA CUMANA Öl auf Leinwand (doubl.). 66 cm x 51 cm. Verso: Holztafel mit altem Wachssiegel, alter Aufkleber mit Zuschreibung a

IN THE MANNER OF FRANCISCO DE ZURBARÃN 1598 Fuente de Cantos - 1664 Madrid SANTA DOROTHEA Oil on wooden panel. 21,5 x 12,5 cm (f. 31,5 x 20 cm). Inscribed lower left: S. Dorothea. Min. old rest. Fram

GOYA Y LUCIENTES (FRANCISCO DE) [Caprichos], ninth edition, 80 etched plates with aquatint, printed on wove paper, mounted on guards, some foxing to margins throughout (occasionally heavy or straying

Oil on canvasSigned in the lower left corner. On the back signed and dated. 97 x 130 cm

Workshop of LUIS DE MORALES "El divino" (Badajoz, 1509 - Alcántara, 1586). "Pietà". Oil on panel. Size: 44 x 30 cm; 51 x 38 cm (frame). The Virgin Mary embraces the inert body of Jesus, with a s

[COOKING] MARTINEZ MONTINO, FRANCISCO. Arte de Cocina, Pasteleria, Vizcocheria, y Conserveria. Madrid: Joseph Fernandez de Buendia for Manuel Lopez, 1662. Later edition (first printed 1611). Contempor

Gouache on paper 12 x 9 in. Attributed or manner of Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso[a] (25 October 1881 ��

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

FRANCISCO DE GOYA Y LUCIENTES (Zaragoza, 1746 - Bordeaux, 1828). Folder with 15 etchings on paper, based on paintings by DIEGO VELÃZQUEZ (Seville, 1599 - Madrid, 1660). Published by the Calcografí

Workshop of JUAN PANTOJA DE LA CRUZ (Valladolid, ca. 1553 - Madrid, 1608). "Portrait of Philip III. Oil on canvas. It has a descriptive label with attribution to Sanchez Coello on the back. Measuremen

Heading: Author: Goya, Francisco de Title: La Tauromaquia Place Published: Madrid Publisher:Circulo de Bellas Artes Date Published: 1929 Description: 40 loose engraved plat

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car

JESUS RAFAEL SOTO, Couleur et bord noir, de Madrid series, Signed, Screenprint 97 /100, 91 x 71 cm / 35.8 x 27.9 inches total measurements, With certificate

Oil on canvasSigned and dated in the lower right cornerBibliography:Carmen Bores "Francisco Bores. Catalog raisonné of painting1945-1972", MNCARS 2003; page 255 nº1953/36 . 46 x 55 cm

FRANCISCO JOSÉ DE GOYA Los Proverbios. Complete set of 18 aquatints with etching, circa 1824. Each approximately 255x355 mm; 10x14 inches, narrow to thread margins. Second edition, with numbers a

Oil on canvas Signed and dated in the lower right corner Provenance:- Artcurial, Paris-Sotheby's Madrid, 1987-Private collectionBibliography:Bibliography:Bores, C., "Francisco Bores. Catalog raisonnÃ

A SET OF SIX LOUIS XIV PAINTED SILK WALL PANELS Circa 1700, manufacture attributed to Royale de Gobelins Framed. height overall 65 5/8in (166.6cm); width of each 25 3/8in (64.4cm) Footnotes: The image

Oil on canvas. Provenance: - Madrid, Adolfo de Arenaza collection; Madrid, private collection. Bibliography: - Angulo Ãñiguez, D. and Pérez Sánchez, AE, History of Spanish painting. Toledo S

An Attic red-figure lekythos Attributed to the Workshop of Brygos, circa 490-470 B.C. Depicting a bearded man with a fillet in his hair and wearing a himation, he leans on a knobbly staff holding a

VALENTIN DE ZUBIAURRE AGUIRREZÃBAL (Madrid, 1879-1963). "Segoviana con bola dorada", ca.1915-1920. Oil on canvas. Signed in the lower right corner. Bibliography: Revista Plus Ultra, nº 55, year V.

Ɵ Medical compendium with substantial parts of Egidius de Corbeil, De urinis, to which was added much of the Fasciculus medicinae attributed to 'Johannes de Ketham', with his diagrams of the huma

Mixed media and collage Signed in the lower right corner.On the back, label of the Guillermo de Osma Gallery, Madrid.. 41,3 x 57,5 cm

attributed to the workshop of Duncan Phyfe, circa 1815-20, the top with figured veneer and canted corners, applied bronze beaded detail throughout, the conforming two drawer base with original neoclas

David De Coninck (c. 1636 Antwerps – after 1701, Brussels), A Cat and Dog Fighting for a Pheasant. The painting is attributed to David de Conick, an artist from Antwerp. Pupil of Pieter Boel, t