Attributed to Simon de Vos (Flemish, 1603-1676) Portrai

Follower of Martin de Vos (Flemish, 1532-1603) Allegory of the Coming Persecutions oil on panel mounted to later stretcher frame 40 x 30in (101.5 x 76cm) Provenance: Property from the Estate of Dr. Te

Collection of Eleven Old Master Prints Including prints by: Schelte Adams Bolswert (Dutch 1586-1659) Marten de Vos (Flemish 1532-1603) And After: Jacques Callot (French 1592-1635) Rembrandt Van Rijn D

Jan Sadeler I (Flemish 1550-1600) and After Maarten de Vos (Flemish, 1532–1603) Meridies (South Wind) from the series The Four Winds, ca. 1580 Engraving. Signed in the plate, lower center: Joan Sadl

Item: Jan Sadeler I Engraving (Flemish 1550-1600) Size: 10 1/2 x 8 in. Jan Sadeler I (Flemish 1550-1600) and After Maarten de Vos (Flemish, 1532–1603) Meridies (South Wind) from the series The Four

(lot of 2) After Marten de Vos (Flemish, 1532-1603), "Tobias and His Wife Quarelling Over the Kid," engraving, State I, plate 3 from a series of 6 engravings, and After Francesco Bartolozzi (Italian,

Johann Sadeler I (1550–1600), After Maarten de Vos (1532–1603), Flemish School, Heilige Hendrik van Cocket als kluizenaar, depicting the 12thC Danish hermit Hendrik van Cocket kneeling at

Garden of Eden, 1600-1625, Oil on copper, Based on a painting by Maarten de Vos (1532-1603) and a print by Johan Sadeler (1550-1600). We are appreciative of the 2018 assessment of this work by well-kn

Follower of Cornelis de Vos (Flemish, 1585-1651), Portrait of a Young Girl Wearing a Puff, oil on panel, bears signature upper right, label affixed verso, panel: 13.5"h x 10.5"w, overall (with frame):

Attributed to Jan De Momper (Flemish, 1614-1688) Figures in Landscapes (two works) oil on canvas 38 1/8 x 52 5/8 inches. Property from a Private Collection, Southwest Florida

Attributed to Carl Wilhelm de Hamilton (Flemish, 1668–1754) White Dog and Pheasants in a Landscape Oil on canvas11 x 14 1/8 in. (27.9 x 35.8cm) Provenance Private Colle

After Anthony van Dyck (Flemish, 1599-1641) 'Portrait of Margareta de Vos' Oil on Canvas 19th century unsigned copy of the 17th century original, in a gold-tone gesso on carved wood frame Property fro

Flemish School, 17th century, Circle of Cornelis de Vos (1584-1651), octagonal portrait of a lady, presumably a noblewoman, attired in a black dress and large white lace collar. Heraldic device upper

After Nicolaes de Bruyn (Flemish, 1571-1656), Christ Before the Captainoil on canvas, unsigned, 17th century, after the circa 1603 engraving by Nicolaes de Bruyn, likely after a design by Gillis van C

Juan de Arellano (Spanish, 1614-1676) attributed Old Master fine oil painting on canvas depicting a still life scene with a bouquet of flowers including morning glories, an iris, a peony, and carnatio

"Tronie of a Bearded Man" attributed to Flemish artist Jan van de Venne (1592-1651). Oil on Panel. c. 1640-1650. Purchased Dec. 2015 from Dorotheum auctions. A tronie is a type of work common in Dutch

Attributed to Gilles Marie Joseph Albrier (French, 1791-1863) "Portrait of Elizabeth Charlotte d'Orleans, Petite-Fille de France and Duchess of Lorraine (1676-1744)" oil on canvas unsigned, after the

Cornelis de Vos (1584 / 85-1651), Magnanimity of ScipioCornelis de Vos became master of the Guild of Luke in Antwerp in 1608, and its dean in 1620. He worked as a colleague of Rubens on the decoration

Apparently unsigned. Frost & Reed label verso with artist name, gives title as "Liver and White Pointer Bitch with Whelps." Dimensions: (Frame) H 31.5" x W 35", (Canvas) H 26" x W 29" Condition: Few s

Portrait of the Painter Cornelis de Vos and his wife Suzanna Cock and their two oldest children, Magdalena and John the Baptist. Oil on canvas, 136 x 120 cm

oil on wood panel; signed lower left "LC pinx." 25 x 33 1/4 in. (63.5 x 84.5 cm.), Frame: 31 1/4 x 39 1/4 in. (79.4 x 99.7 cm.) Provenance: sold Dorotheum, Vienna, April 7, 2006 [Lot 00103]; Private C

Simon Hardime (Flemish 1672 - 1737) oil on canvas. Still Life- Flowers in a terracotta vase on a stone ledge, painting 48 x 35, overall framed 55 x 42 inches. Provenance: Christies Important Old Maste

Charlotte PERRIAND (1903-1999) Enfilade « Cansado » en placage de chêne, formica et métal laqué noir Edition Steph SIMON, dessin de 1958 Provenance : Cité pétrolière Cansado, Mauritanie, Afriq

Brass, enamel. Height: 39", Length: 13", Depth: 7". Ornately decorated French brass wall clock attributed to De La Rue. Enameled face with Roman numerals marked "De La Rue Rue Vielle Paris". Clock wit

ACUÑA, Cristóbal de (1597-1676?). Voyages and Discoveries in South-America. London: for S. Buckley, 1698. 8vo (190 x 111 mm). 2 folding engraved maps; 3 title-pages. (Pale spotting.) 19th-century ta