Attributed to Reverend John Thomson of Duddingston HRS (British, 1778-1840) Tantallon Castle

19th Century English painting of a castle on a hill with sailing ship in water. Attributed to Rev. John Thomson of Duddington (1778-1840). Measures 8" x 7" (sight) and 13" x 12" w/ frame.

Thomson of Duddingston, attributed to Rev. John (Scottish, 1778-1840), Untitled Landscape, early to mid 19th century, oil on canvas which has recently been relined, unsigned, 21 x 29.5 inches, in a da

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

John Constable (attrib), oil on canvas, Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

Attributed to John Wilson Carmichael (British, 1800–1868) On the Thames Bears signature 'J.W. Carmichael' on bottom stretcher verso; also titled on bottom stretcher verso, oil on canvas 10 1/4 x 14

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

JMW Turner (attrib.), oil on canvas, Attributed to Joseph Mallord William Turner (British,1775-1851), Looking towards a Castle View, signed JMW Turner lower left, artist placard on antique gilt frame,

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

HOYLAND, John, (British, 1934-2011): Untitled abstract composition, Watercolor/Acrylic/Paper, Fine Gallery label verso with date, blind stamp upper left corner, 20" x 28", framed 24.5" x 32.75". Condi

Alexander Mark Rossi (British, 1840-1916), "The Private View," 1881, oil on linen, signed and dated lower right, presented in a period gesso and giltwood frame, H.- 21 in., W.- 32 3/4 in., Framed- H.-

Stobart, John (British, 1929-2023), Savannah: Moonlight over the Savannah River in 1850, printed in 1987, offset lithograph, signed and numbered 579/950 in pencil lower right corner, image 19 x 31.75

Stobart, John (British, 1929-2023), Philadelphia: Moonlight over the Delaware from the foot of Walnut Street in 1835, printed in 1985, offset lithograph, signed and numbered 610/950 in pencil lower ri

Arthur John Elsley (British, 1861-1952) Love at First Sight signed and dated 'Arthur J Elsley/ 1907' (lower left) oil on canvas 107 x 143cm (42 1/8 x 56 5/16in). Footnotes: Provenance</

John Wells (British 1907-2000) Crystal from the Earth signed, titled and dated 'John Wells. 1946/CRYSTAL from the EARTH' (on the backboard) pencil and oil on panel 27 x 25.4 cm. (10 5/8 x 10 in.) Foot

John Armstrong (British, 1893-1973) Three feathers signed with initials and dated 'JA/47' (lower left) tempera on thick card 35.3 x 29.2 cm. (13 7/8 x 11 1/2 in.) Footnotes: Provenance Kenneth Fleetwo

After John Hoppner (British, 1758-1810) William Jennens Peareth   oil on canvas 30 1/4 x 25 1/8 inches. This lot is located in Chicago. Property from the Pamela K. Hull Trust, Chicago, Illinois Prove

John Bowles (British 1709 - 1779) "A New and Exact Map of America Laid Down from the Latest Observations and Discoveries", circa 1750 Two sheet map engraving of the "Representation of the Customs and

JOHN SPEED (BRITISH, 1552-1629) MAP OF THE WORLD, (UPDATED 6/14/16) hand-colored engraving on laid paper, titled "A New and Accurat Map of the World Drawne according to ye truest Descriptions latest D

John Piper (British, 1903-1992) Mountains Near Portmadoc Mixed media on paper. Three drawings on two pieces of paper, under one mount. image (each approx.): 4 1/4 x 10 in. (10.8 x 25.4cm) Exhibited

John Linnell (British, 1792-1882) 'On the Medway' signed and titled 'On the Medway/John Linnell' (on artist label affixed to stretcher) oil on canvas 93 x 182.5cm (36 5/8 x 71 7/8in). Footnotes:

John Collier (British, 1850-1934) The Lute Player, 1884 oil on canvas signed John Collier and dated (lower left); titled (stretcher) 60 x 45 inches. Literature: (Possibly) W. H. Pollock, The Art of Th

John Emms (British, 1843-1912) Two hounds signed 'J. EMMS' (lower right) oil on canvas 11 x 10in (28 x 25.4cm) Footnotes: Provenance Sale, Bonhams, New York, The Dog Sale, 16 February 2010, Lot 119;

John Ferneley (British, 1782-1860) The horse 'Vagabond', owned by Henry Everard Esq, and the dog 'Nell', owned by his fianc&#233; Miss Helen Stuart signed, dated and inscribed 'Ferneley/Melton Mowbray