Attributed to Joshua Cristall (British 1767-1847)/At

Attributed to Joshua Reynolds, British, 1723 - 1792, portrait of the Duke Marlborough, oil on relined canvas, possibly signed indistinctly lower right, 53 1/4 x 39 inches

(British, 1723-1792) Study for The Snake in the Grass (Love Unloosing the Zone of Beauty), 1785, oil on paperboard, 7-7/8 x 6-3/4 in.; gilt wood and composition frame, 13-3/4 x 12-1/2 in.ÿ Provenance

Lithograph on paper. Featuring figures throwing spears at shopping carts. Signed Banksy and inscribed 26/400 near the lower right corner. Inscribed 1767 and stamped BANKSY on verso. Attributed to Bank

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

Gainsborough Dupont, oil on canvas, Alfred Gainsborough Dupont (British, 1767- 1797), "Miss Bridget Power, daughter of Edmund Power, Esq.,...), no signature observed, artist name place on frame, old a

After Sir Joshua Reynolds, P.R.A. (British, 1723-1792) "The Age of Innocence" oil on canvas 19th century, unsigned, artist and title stenciled on frame, after the ca. 1785 painting now conserved (but

Sir Joshua Reynolds (British, 1723-1792). Portrait of a Lady, possibly Lady Charlotte Johnston [Johnstone], oil on canvas, unsigned. Bust length portrait of a Lady wearing dark red cloak edged in ermi

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

CHARLES PEALE POLK (AMERICAN, 1767-1822), ATTRIBUTED, SHENANDOAH VALLEY OF VIRGINIA, BRISCOE FAMILY PAIR OF PORTRAITS, (updated 6/17/22) oil on canvas laid to board, each a three-quarter length depict

DESCRIPTION: Attributed Howard Hodgkin (British, 1932-2017) Oil on board painting featuring Hodgkin's traditional abstract imagery executed in vibrant tones, signed: (Lower Right) "HH" mounted in blue

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

"Attributed to Henry Alken (British, 1785-1851) Snob is Beat Bears signature 'H. Alken' bottom right, oil on canvas23 1/8 x 35 1/8 in. (58.7 x 89.2cm) Provenance Frost & Reed, Ltd., L

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

attributed to JAMES NORTHCOTE (British 1746-1831) A PAINTING, "Full Length Portrait of a Child with Pearl Turban and Pet Bird," oil on canvas, stretcher marked "G. Morrill Liner," and in chalk "Blond.

Attributed to William Barraud (British, 1810–1850) Showing a Horse Signed 'Barraud' bottom left, oil on panel 18 7/8 x 26 7/8 in. (47.9 x 68.3cm) PROVENANCE: Private Collection, Maryland.

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

John Constable (attrib), oil on canvas, Attributed to John Constable (British, 1776-1837), Landscape with Herdsmen, no signature observed, artist tag on frame, old auction label verso stretcher, 35"h

Massive contemporary Indian Mughal style oil on canvas painting of a woman in elaborate dress. Possibly after Horace van Ruith (Italian/British, 1839-1923) attributed painting titled "Native Lady

Tiffany & Company, New York, sterling silver four-footed plateau, circa 1884-5, in the Japonisme taste, the design attributed to Charles Osborne (British-American, 1847-1920), the plateau allover hamm