Attributed to John Gadsby Chapman (American 1808-1889) After Giuseppe Mazzolini (Italian 1806-1876)

Continental school, 19th century. Italian Scene in the manner of John Gadsby Chapman (American/New York, 1808-1889), oil on canvas, Apparently unsigned with canvas stamp obscured by lining. Approx. 24

Attributed to Giuseppe Mazzolini (Italy, 1806-1876) oil on canvas painting titled "Nativity: after the Circle of Pompeo Girolamo Batoni (Italian, 1708-1787), depicting the Holy Family seated around a

(Italian, 1806-1876) The Three Ages of Man, after a work by Titian, signed lower right "Mazzolini", oil on canvas, 35-1/2 x 52-1/2 in.; Empire gilt wood and composition frame, 45 x 62-1/4 in. Provenan

《 The girl 》 Oil on canvas （ Giuseppe Mazzolini ， 1806-1876 ， Italy)

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

ATTRIBUTED TO: Giuseppe Zocchi (Italian b.1711 -d.1767). Titled: The Arno River at the Santa Trinita Bridge. Medium: Oil on Canvas, Year of work: c.1742. Image Size: 30-1/4 x 37-1/8 inches, No Frame,

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T

ATTRIBUTED TO JOHN SINGER SARGENT (AMERICAN 1856-1925), OIL ON PANEL, 1881, H 5.25", W 9", PORTRAIT OF RALPH CURTIS Inscribed "Bellagio 1881" lower right. Painted wood frame measuring H 11.25" , W 15"

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

A Renaissance Revival Marble Mounted Carved and Laminated Rosewood Etagere Attributed to John Henry Belter (American, 1804-1863), Circa 1855 Height 108 x width 64 x depth 17 inches. A near identical e

Attributed to John La Farge(American, 1835-1910)Floral Windowlate 19th centuryleaded, stained and "chunk jewel" glassunmarked42 1/2 x 34 1/4 inches

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed to Thomas Chambers (American, 1808-1866). A Hudson River School oil on canvas depicting a view of West Point. Unsigned. Gilt framed. Canvas: 18in x 24in.

Thomas Hart Benton (American, 1889 - 1975) Attributed: Tobacco Farmer, oil and tempera on card board, signed lower right, unframed. Thomas Hart Benton was born into a politically charged midwestern fa

John Frederick Kensett Landscape Painting, first time to auction, attributed to John Frederick Kensett (American 1816 - 1872), oil on canvas, a landscape with trees and rocks signed lower left "JFK".

Jane Peterson (attrib.), painting, Attributed to Jane Peterson (American, 1876-1965), Gothic Architectural Study, oil on canvas, signed "Jane Peterson" at lower right, 17.5"h x 21.5"w (sight), 24"h x

Antique original still life oil on canvas painting attributed to John Vanderlyn Jr. (1805-1876 New York) Depicts a still life with fruit with arch and drape background. Apparently unsigned. Work windo

Andy Warhol (American, 1928-1987)Attributed: John and George (Beatles). Mixed media painting on paper (graphite, acrylic, silk screen, ink), signed lower right margin and verso, marked on reverse by a

A 38-Star National American Flag commemorating Colorado statehood 1876-1889 The glazed cotton stars arranged in vertical rows of 6-6-7-7-6-6- on a canton composed of medium blue Civil War uniform grad

Oil on board Folk Art portrait of a child, attributed to Sturtevant J. Hamblin (American, 1835-1855) or William Matthew Prior (American, 1806-1873), with no visible signature, in a gilt-edged frame. [

Jane Peterson (American 1876-1965) oil on canvas The Port 61x51 cm Hand signed lower right.

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Seven-Piece American Renaissance Revival Walnut Parlor Suite third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, consisting of a pair of sofas, each with a central carved portr