Attributed to James Seymour (British, 1702–1752) A

Attributed to James Seymour (British, 1702-1752) , "The Hunt", graphite and watercolor on paper, unsigned, inscribed with artist en verso and on backing, 9 3/4 in. x 14 5/16 in., framed

A fine signed Harris, possibly the work of Henry Harris (1852-1926) English hunt scene oil on canvas a follower of James Seymour (British, 1702-1752) artist. A very well executed and detailed painting

After James Seymour 1702-1752 "A Carriage Match against time, ran on Newmarket Heath, August 1750" Oil on canvas, After James Seymour (British, b.1702, d.1752) No visible signature, Molded gold and bl

After James Seymour 1702-1752 "Race Horses Exercising in a Landscape". Oil on board, After James Seymour (British, b.1702, d.1752). No visible signature. Flaking and paint loss. In gilded wood frame.

James Seymour (1702-1752, UK) framed and matted pen & ink on paper study of a horse's head. 6.375" x 6" ss / 13.5" x 13" oa

Three by James Seymour (1702-1752, one by Thomas Spencer (1700-1763) and one unsigned. 13 1/2"h x 15"w

James Seymour (London 1702-1752) A brown thoroughbred, traditionally identified as 'Spanking Roger', held by a groom before an extensive landscape signed with initials and dated 'J.S.,/ 1745' (lower l

Roberts, attributed to James (British, 1791-1867), Actors in a French Interior, 1826, watercolor, heightened in white, on paper, signed J. Roberts and dated lower right, sheet 6.75 x 5.25 inches, fram

(lot of 2) Varnished prints on mahogany-finish panels, 20th c., including: (1) "Flying Childers," after James Seymour (English, 1702-1752), (1) "Mameluke," after Benjamin Marshall (English, 1768-1835)

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

attributed to JAMES NORTHCOTE (British 1746-1831) A PAINTING, "Full Length Portrait of a Child with Pearl Turban and Pet Bird," oil on canvas, stretcher marked "G. Morrill Liner," and in chalk "Blond.

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

Attributed to James Webb (British, 1825-1895) The traveler's encampement oil on canvas 37 1/2 x 54in (95 x 137cm) Lot to be sold without reserve.

oil on canvas, relined; unsigned 36 x 28 in. (91.4 x 71.1 cm.), Frame: 49 1/2 x 41 1/2 in. (125.7 x 105.4 cm.) Provenance: From the Estate of Baroness Adelle Karoff, Los Angeles, CA, a collector of th

Attributed to James Clark (British, 1858-1943) "The Runaway" oil on canvas unsigned, old inventory label and sale stencil en verso. Framed. 20" x 30", framed 27-1/4" x 37-1/4" Provenance: Private coll

Attributed to James Cassie (British, 1819-1879) Portrait of a Seated Man. Oil on board, unsigned. Bearing a paper label en verso which reads, 'Exhibited at Royal Academy Ltd. Aberdeen 1851, R.S. A. Ja

Attributed to James Stark (British, 1794 - 1859), oil on canvas English country scene depicting a thatched water-powered mill, apparently unsigned, 21"h x 25"w, overall size with frame 29.25"h x 32.5"

Attributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36

NIGHT FALL AT VENICE, oil painting on wood panel, titled and inscribed or signed in pencil on verso, 16 ¼ x 22 ¼”, with James Bourlet & Sons Ltd. Nassau label on back of frame 20 x

Attributed to James Burton, marine painting of a clipper ship, oil on canvas, signed in pencil script on reverse of gilt gesso frame. 19th Century. Measuring 18.5" high x 7.75" wide (sight). Frame dim

James W. Baldock (attrib.), (2) Horse Portraits, Attributed to James Walsham Baldock (British, 1822-1898), oil on canvas, both initialed "JWB" and dated 1887, each 17"h x 23"w (sight), 24"h x 30"w (fr

Attributed to John James Wilson (British, 1818-1875). Oil on canvas, signed "J.J. Wilson" lr, 34 x 43 1/2 in., framed.

Attributed to James Sharples (Sharpless) (British (active Pennsylvania, New York), 1751/52-1811), undated, oil on metal panel, pair of oval half length portraits depicting a shipping merchant with his

A 19th century oil on canvas seascape attributed to James Edward Buttersworth, British, 1817-1894. Depicts a "Frigate Entering the West Indian Harbor". Unsigned, attributed to Buttersworth and titled