Attributed to Henry Wallis (British, 1830-1916)

ARTIST: Thomas Hart (British, 1830 - 1916) NAME: Landscape - St. Michaels Mount, Lake Cornwall MEDIUM: watercolor on paper CONDITION: Some age toning. Very minor foxing (just two spots). Framed under

Jutsum, attributed to Henry (British, 1816-1869), View in Deepdale, mid-19th century, oil on canvas, relined, apparently unsigned, 36 x 52 inches, in a carved wood frame 42 x 59 inches, old J. J. Gill

John Henry Dell (British, 1830-1888), "The Knife Grinder", 1860, oil on board, monogrammed and dated lower left, handwritten note with artist and title attached en verso, 8 3/4 in. x 8 in., framed wit

"Attributed to Henry Alken (British, 1785-1851) Snob is Beat Bears signature 'H. Alken' bottom right, oil on canvas23 1/8 x 35 1/8 in. (58.7 x 89.2cm) Provenance Frost & Reed, Ltd., L

Attributed to Henry Woods (British, 1846-1921) "At the Well," oil painting on canvas, signed. Framed. Size: 33.25'' x 24.5'', 84 x 62 cm (sight); 44.25'' x 35.5'', 112 x 90 cm (frame).

Attributed to Henry Pether (British, 1800-c. 1865) Moonlit Landscape with Ruins. Oil on canvas, signed faintly and illegibly lower right 20.5" x 24.75" Frame: 28.25" x 32"

Don Quixote, n.d., unsigned oil on canvas, 12 inches H x 9 inches W. Attributed to Henry Liverseege (British, b. 1803-d. 1832) whose work was exhibited at the Royal Academy, The British Institution, M

Attributed to Henry Raeburn(British, 1756-1823)Portrait of a young manoil on canvas30 1/4 x 25in (77 x 63.5cm)

Henry Robertson Craig (British, 1916-1984) By The Seine. Oil on canvas board, signed LL. Provenance: Guildhall Galleries, Chicago Board: 10" x 12" Frame 17.25" x 19.25"

Attributed to Henry Moore, British, 1898 to 1986, bronze sculpture from the series Reclining Figures, circa the mid 20th century. On a rectangular base. Henry Moore is often considered the foremost Br

Attributed to Henry Morley (British/Scottish, 1869-1937) "Scottish Mountain View" oil on canvas unsigned, old label en verso attributing painting to Morley. Framed. 20" x 25"

Henry Schafer (British, 1833-1916), Lisieux, signed l.r., watercolour. 25 by 19cm, framed

Attributed to Henry H. Parker (British, 1858-1930) Harvest time in the cornfield bears signature (lower left) oil on canvas 61.3 x 107.3cm (24 1/8 x 42 1/4in).

attributed to WILLIAM HENRY MIDWOOD (British 1833-1888) A PAINTING, "He's not Here," oil on pressed board, signed L/C. 9 3/4" x 13 7/8"

Attributed Henry John Yeend-King (British 1855-1924)- The Day's Catch- oil on canvas (relined)- bears signature Yeend-King lower right, framed. 22 x 18'' Provenance: Private collection- Sandusky, OH

Bronze Figure Attributed to Charles Henry Fehr ( British 1867-1940). Unsigned. On wood Base. Provenance: Brooklyn Private Collector, Dimensions: Bronze H 12", Widest 10", Total H 15.5" Please note the

Attributed to Henry Wolf (1852-1916) , Original Signed Engraving in Custom Frame . Measures about 10.5"x14"

Attributed to Henry Wolf (1852-1916) , Original Signed Engraving in Custom Frame . Measures about 10.5"x14"

Framed original, from an 1876 engraving by British artist Henry Wallis. #EngravedPrint #HenryWallis #RWS #RoyalWatercolorSociety #IllustratedLondonNews #VictorianPrints #FramedPrints #VictorianArt #Mi

Attributed to Sir Edwin Henry Landseer (British, 1803-1873) Three Highland Cattle, 1868 oil on paper dated by another hand (lower left) 10 1/2 x 13 1/4 inches. Provenance: Kenneth A. Lohf, New York By

Attributed to Henry John Yeend King (British 1855-1924) "In the Isle of Man Ballaugh Glen" Oil on canvas Signed lower left "Yeend King" Artist biography on verso and label 18" x 24"

Attributed to Henry Edgar Crockett (1870-1926) British, female figure carrying water with a coastal view beyond, watercolour, 24" x 16" (60 x 40cm).

Oil on board, depicting a girl seated at a piano. Signed "H. Williams Pinx 1825" bottom right. 19th Century. Attributed to Henry Williams (Boston, 1787 -1830). Dimensions: 36.25" H x 31" W framed, 30.

O/B Portrait of a lady with lace collar seated in chair, early 19th century. Attributed to Henry Williams (Boston 1787-1830) - similar examples in Smithsonian and the MET. Note the wood panel appears