ATTRIBUTED TO HART, SON, PEARD & CO. PAIR OF GOTHIC

HART, SON, PEARD & CO., LONDON & BIRMINGHAM (ATTRIBUTED MAKERS) PAIR OF GOTHIC REVIVAL THREE-BRANCH brass, set with jewelled cabochons, each with removable branch converting to single candlesticks(can

HART, SON, PEARD & CO., LONDON & BIRMINGHAM GOTHIC REVIVAL LAMP, CIRCA 1870 brass, with painted faux enamel decoration, on a black glass base with later fitting and pleated silk shade (converted from

HART, SON, PEARD & CO., LONDON & BIRMINGHAM AESTHETIC MOVEMENT TABLE LAMP, CIRCA 1880 brass and champleve enamel, later converted to electricity, contemporary shade(27.5cm high to fitting)

HART, SON, PEARD & CO., LONDON & BIRMINGHAM AESTHETIC MOVEMENT VASE, CIRCA 1880 engraved brass, set with agate cabochons, stamped maker’s mark under base(16.5cm high)

COX & SONS, LONDON PAIR OF AESTHETIC MOVEMENT VASES, CIRCA 1880 cast brass, stamped maker’s mark to one vase base COX & SONS/BUCKLEY & CO/ LONDON WC, 22.5cm high; together with a PAIR OF GOTHIC

Group of Four Argand Lamps Attributed to Cornelius and Company, Philadelphia second quarter 19th century, including two double-arm lamps and a pair of single lamps, with Gothic window-molded bases, th

S. KIRK AND SON CO STERLING SILVER PAIR OF OPEN SALTS, barrel form raised on tripod legs with paw feet, repousse overall floral pattern on a lightly stippled field, underside impressed with maker's na

S. KIRK AND SON CO STERLING SILVER PAIR OF SALT AND PEPPER SHAKERS, baluster form raised on tripod legs, lift-off cap, repousse overall floral pattern on a lightly stippled field, underside impressed

Christopher Dresser for Richard Perry Son and Co., a pair of Aesthetic Movement brass chambersticks, circa 1885, dished teardrop form with inverted tail, conical snuffers, stamped marks, 15cm high (2)

A W N Pugin for John Hardman and Sons (attributed), a Gothic Revival brass and enamelled altar vase, circa 1850, footed baluster form, decorated with champleve thistle and foliate entwined rope emblem

Model #42, circular foot, supporting a gently flaring trumpet-form vase, in an allover crisp floral repousse; 7 1/8 in. H, 13.5 ozt.

JOHN MOYR SMITH (1839-1912) (ATTRIBUTED DESIGNER) FOR COX & SON, LONDON GOTHIC REVIVAL SIDE CHAIR, CIRCA 1880 ebonised oak with incised and polychrome decoration, original velvet upholstered seat and

Pair of S. Kirk & Son Co. Sterling Silver Candlesticks 1868-1890 Each knopped baluster-form stem on a domed circular base, chased overall with floral decoration. Height 11 1/2 inches, total approximat

1907-1924, model# 36, circular foot, supporting trumpet-form vase, the whole in a floral repousse decoration, with a variety of flowers including pussy willows, against a stippled ground, applied flor

1907-1924, model# 231, oval, the wavy border with repousse floral bouquets, applied grapevine motif along the scalloped rim, centered with monogram; 1 1/8 in. H, 8 3/4 in. L, 6 1/2 in. D, 15.05 ozt.

COX & SONS, LONDON (ATTRIBUTED MAKER) GOTHIC REVIVAL SIDE TABLE, CIRCA 1870 stained oak(99cm long, 73cm high, 60cm deep)

TABLEWARES TOGETHER WITH TIFFANY AND CO SELECT TABLEWARES. 1) Rare S. Kirk & Son 3 leg master sugar bowl with spoon. SIZE: 3" h x 5" dia. Spoon is 5 1/2" l. 6 oz.t. 2) Pair of S. Kirk & Son Co. pepper

TIFFANY & CO. Pair Antique Bronze Candleabras 3-Light. Gothic influence, claw feet, each marked Tiffany & Co.Size: 11.5 in. height, 7.75 in. wide. Good condition, original patina finish.

Matched Pair of Thomas Webb & Sons (Attributed, Not Signed) Cameo Painted Vases - the Consigner matched these to the book. The rims have some roughness to them, but they are not chips they are product

Pair of Antique Lifetime Furniture Co., Grand Rapids MI #179 heavily carved oak side chairs. Very solid construction in the Gothic, Arts and Crafts style. Excellent condition. Measure 18.5" x 20" x 45

Pair Sterling Bronze Co. Gothic style sconces, c. 1930s, parcel gilt, sticker label verso, 22.25"h x 12"w x 6"'d

Shenandoah Valley Multi-Glazed Redware Flowerpot, attributed to S. Bell & Son or J. Eberly & Co., Strasburg, VA, circa 1890, tapered pot with attached saucer, both with coggled edges, the surface deco

Shenandoah Valley Multi-Glazed Redware Egg Cup, attributed to S. Bell & Son or J. Eberly & Co., Strasburg, VA, circa 1890, with stepped pedestal base and ovoid body, decorated with streaks of cream-co

Shenandoah Valley Redware Egg Cup, attributed to S. Bell & Son or J. Eberly & Co., Strasburg, VA, circa 1890, with stepped pedestal base and flared opening, the surface covered in a whitish slip wash.