ATTRIBUTED TO GIOVANNI BATTISTA CASTELLO

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

Attributed to Giovanni Battista Gaulli Baciccia (1639-1709): Design for a Wall Decoration Ink and wash on paper, signed 'Baccici' lower left, inscrined 'No 7' lower center and '6' lower right, with an

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

18th century Old Master drawing in the style of or attributed to Giovanni Battista Tiepolo. Ink wash of figures. Framed under glass. Sight: 13.75 x 9.25in. Overall: 21.5 x 16.5in.

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

ATTRIBUTED TO GIOVANNI BATTISTA TIEPOLO 5 March 1696 Venice - 27 March 1770 Madrid THE VIRGIN APPEARS TO SAINT DOMENIC (?) Charcoal and red chalk on hand-made paper by D&C Blauw from 1720, made in Zaa

Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Overall: Apx. 20"h x 15"w Sight: 11-1/2"h x 8-1/2"w Provenance. Property from a Pr

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Ink on paper. Featuring a sketch portrait of a man. Signed G. B. Tiepolo on the lower left corner. Inscribed 1701 on the lower right corner of verso. Attributed GO giovanni Battista Tiepolo (1696-1770

siglato e datato al retro "BC 1607 Genova", iscritto al retro, tempera su pergamena, W. 270 - H. 330 mm

Giovanni Battista Piranesi, engraving, Veduta dell Avanzo del Castello, plate size: 15 3/4" x 23 3/4"

Piranesi, Giovanni Battista (1720 Mogliano - 1778 Rom, nach) - «Veduta del Ponte e Castello Sant'Angelo», Radierung, spätere Ausgabe, in der Platte signiert "Piranesi Archit. dis. ed. i

DEL CASTELLO DELL'ACQUA GIULIA; VASO CENERARIO DI TERRA COTTA; ALTRA VEDUTA DEL TRIPODE ANTICO; [MARBLE VASE] (WILTON-ELY 537; 954; 984; 985) Four engravings, 1761 and 1778(3), respectively, the first

Del Castello Dell'Acqua Givlia" Image: 16"x22" Matting: 16"x22

Giovanni Battista Piranesi (Italian 1720-1778), Le Rovine del Castello dell'Acqua Giulia (The Ruins of the Fountainhead of the Aqua Giulia), posthumous restrike, etching on paper, signed in the plate

Aftr Giovanni Battista Piranesi, Italian, 1720-1778, Piranesi Veduta del Castello dell Acqua Felice, 1751, engraving along with Veduta della Basilica di S. Paolo four delle mura, engravings . Castello

Giovanni Battista Piranesi (Italian 1720-1778), "Le Rovine del Castello dell'Acqua Giulia (The Ruins of the Fountainhead of the Aqua Giulia)," posthumous restrike, diagram of architectural details, im

18th century etching titled Avanzo del primo Castello di una parte dell'Acqua Giulia (Remains of the first fountain-head of a part of the Acqua Giulia) by Giovanni Battista Piranesi (Italian, 1720-177

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

MERANO GIOVANNI BATTISTA (1632-1698) "I Farisei chiedono a Pietro il tributo" olio cm. 119x91,5 scheda Dottoressa Anna Orlando