Attributed to George Richmond (1809-1896) British.

George Richmond, pencil drawing, George Richmond RA (British, 1809-1896), "Tete Dún Negre" (Head of a Negress), charcoal on paper, signed lower right, 13"h x 10.75"w (sight) 17"h x 13"w (framed)

Circle of George Richmond (1809-1896) Circle of George Richmond (1809-1896)Portrait of a lady, three-quarter-length seated, in a silver dress and a crimson shawl wearing a white lace bonnet with pink

Attributed George Morland (British, 1763-1804), Village Cottagesoil on panel, unsigned, a typed note affixed to the verso reads "Whippingham, Isle of Wight / Home of Henry Dashwood / (Great Great Gran

Romney, attributed to George (British, 1734 - 1802), The Earl of Shrewsbury, oil on canvas, 24 x 20 inches, Provenance: From The Alton Towers Collection; The Estate of Charles H. Booth Jr. ; framed in

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

ATTRIBUTED TO GEORGE ROMNEY (BRITISH 1734-1802) Portrait Of a Man, oil on canvas66 x 53 cm (26 x 20 7/8 in.)framed dimensions: 80.5 x 67 cm (31 11/16 x 26 3/8 in.)

Attributed to George Chester (British 1813-1897) Bridge Over a Stream near Carrickfergus, Northern Ireland oil on canvas 46 1/2 x 84 inches.

Attributed to George Clare (British, 1835-1900) Still Life with Bird's Nest. Oil on canvas laid to board, faintly signed 'Clare' lower right Board: 8" x 13.25" Frame: 13" x 18.25"

Attributed to George Morland (British, 1763-1804), Shepherd with His Dog and Sheep, oil on canvas, unsigned, 18" x 24", framed 25 1/2" x 31". Provenance: Collection of Mr. Bruce McCashin, Vero Beach,

Attributed to George Lance (British, 1802-1864), "Still Life with Grapes and Pineapple", oil on canvas, apparently unsigned. Still life painting depicting a lush cluster of various fruits on a neutral

Attributed to George Englehart (British, 1752-1829) "Portrait Miniature of a British Officer", ca. 1780 watercolor, unsigned together with R. C. Woolnough (British, active 1801-1805), "Portrait Miniat

"Mont Saint-Michel (France)." Oil on canvas. Attributed to: George Stainton (British, fl. 1860 - 1890). 10" x 18"; 16 1/2" x 24 5/8" (overall).

Attributed to George Armfield (British, 1808-1893), Pug and terrier at play, oil on canvas (relined), 10 1/4" x 13 1/4", frame size: 13 3/4" x 16 3/4", in very good condition.

Attributed to George Lance (British, 1802-1864), Still Life with Grapes, oil on panel, bears signature lower right, panel: 10"h x 15"w, overall (with frame): 19.25"h x 23.25"w

Attributed to George Morland (British, 1763-1804), Woman Feeding Baby, oil on canvas, unsigned, canvas: 15.5"h x 13"w, overall (with frame): 21.75"h x 19"w

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

Figure and horse in a barn, faint signature visible under blacklight lower left: G. Morland, oil on canvas laid to canvas, 20'' H x 26'' W, est: $1500/2000 Provenance: Private Collection, Riverside, C

Attributed to George (Smith) Armfield, British, 1808 - 1893, the spaniel in its master's chair, lording it over its inferiors, oil on canvas, not visibly signed, labels verso. NOTE: One of a pair of A

Attributed to George (Smith) Armfield, British, 1808 - 1893, "Up to Mischief", oil on canvas, not visibly signed, labels verso. NOTE: One of a pair of Armfield oils of dogs located in this auction. (R

"A Pair of English Aesthetic Movement Mahogany Hall Chairs Attributed to George Faulkner Armitage (British, 1849-1937), circa 1890 Upholstered in modern velvet. (2). (H: 41 ½ W: 19 ¼ D:

Attributed to George Clarkson Stanfield (British, 1828-1878), Sankt Gorshausen, Germany, oil on canvas on panel, bears signature lower left, panel: 16"h x 20"w, overall (with frame): 21"h x 25"w.

Two terriers Oil on canvas Unsigned 20" H x 30" W

Attributed to George Knight (19th Century) British. A Shipping Scene, Oil on Canvas, Unframed, 8" x 12", together with three other oil paintings, by various hands, four (4).

England, 18th century. A hand-colored engraving numbered 70 and titled 'To Sallinda'. Published London, c. 1735-38. Attributed to George Bickham, a notable English writing master and engraver