Attributed to David Claypool Johnston MAN AND WOM

David Claypool Johnston (1799-1865) nearly matching pr of w/c's w Kennedy Glallery labels on verso - the first a 5"x6 3/4" sight size titled "River Falls" & the other a 5 1/4" x 7 1/4" sight size titl

ATTRIBUTED, DAVID TENIERS THE YOUNGER, (Belgium, 1610-1690), PaintingMen Smoking in a Domestic Interior, oil on board, 12 by 9.5 in.

Attributed to: David Davidovich Burliuk, Russian/American (1882-1967) Oil on board "Old Man and Woman in Interior". Signed and dated 65 lower left. Inscription verso. Measures 10" x 12", frame measure

Six Piece Group of 19th and 20th Century Oil Paintings, to include, attributed to David Teniers the Younger (Belgian 1610-1690) oil on board, the figures and a dog, "Tenier 1670" on verso, old man coo

Attributed To: David Teniers "The Younger", Flemish (1610 - 1690) Miniature Oil on Panel "Portrait of a Man" Unmarked. Measures 2-1/4" x 1-7/8", frame measures 6" x 5-3/4". Condition: Good condition.

Jean-Michel Basquiat (American, 1960-1988) Attributed: Man Holding Heart, 1982. Enamel and oil stick on metal sheet, signed and dated lower right, unframed. Gallozzi La Placa, 1983 label verso. Basqui

Jean-Michel Basquiat (American, 1960-1988) Attributed: Man Holding Heart, 1982. Enamel and oil stick on metal sheet, signed and dated lower right, unframed. Gallozzi La Placa, 1983 label verso. Basqui

Attributed to David Petrovich Shterenberg ( Sterenberg ) oil on board, still life of a croissant and apple, against a modernist background. The reverse board inscribed 'Work of my father D. Shterenb

The most intricate and furioso 1837 Hard Times Period satirical cartoon note. Designed by David Claypool Johnson. Numerous satirical references with dominant Martin Van Buren caricature vignette at to

Great Loco Foco Juggernaut 12 1/2¢ Satirical note. “A New Console-A-Tory Sub-Treasury Rag Monster”, “Good For A Shave”, engraved and printed by David Claypool Johnson, without imprint, Rulau

oil on Masonite titled on labels verso Provenance: The Louis & Annette Kaufman Trust Staempfli Gallery Inc. New York City [inv. no. C-1238] Maxwell Galleries, San Francisco [inv. no. C-5820] Exhibited

Historical domestic interior scene, oil on canvas, signed lower left "D. Teniers", in the Dutch style and after Jan Vermeer. [Image: 20 1/2" H x 26" W; Frame: 30" H x 35 1/2" W x 2 1/2" D]. Scratch to

Attributed to David Teniers II (Flemish 1610-1690) "Peasants Making Music at an Inn", oil on copper, en grisaille, image size 11 ¼ x 8 ¾ "

David Claypoole Johnston "Harbor Scene" ink, gouache, and graphite on wove paper, depicting a Boston harbor scene. Sight: 2.75"H x 4"W; Frame: 12.125"H x 14.25"W. PROVENANCE: Skinner Auctioneers: Febr

David De Coninck (c. 1636 Antwerps – after 1701, Brussels), A Cat and Dog Fighting for a Pheasant. The painting is attributed to David de Conick, an artist from Antwerp. Pupil of Pieter Boel, t

David Hockney Man Reading Stendhal Ships from: London, UK 1986 Homemade print executed on an office color copy machine on 100% Rag Arches Text 120g laid paper Image/sheet: 14 x 8 1/2 in. Edition of 60

This United States Fire Company, Ceremonial Parade Fire Hat Painted and pressed leather and felt. Philadelphia, circa 1850. Attributed to David Bustill Bowser (1820-1900), an African American freeman.

Attributed to David Wojnarowicz, American, 1954 to 1992, a sculpture made of collaged paper and acrylic on cast plaster titled Head, from the Metamorphosis series, 1984. Signed, dated, and inscribed,

Massachusetts Shelf Clock, having fretwork top with painted metal dial, single key wind over mirrored door all set on bracket feet, works attributed to David Wood, height 33 inches, Provenance: Fifty

Jewelry. Navajo Native American Fetish mulit strand necklace sterling clasp, attributed to David Tsikewa 3 strand hardstone bird, 3 small birds are damages (see images)

Post-modern "Le Temoin", eyeball coffee table / reversible ottoman attributed to Man Ray. Elliptical / Marquis shaped. Faux leather and plastic. [60" W x 27" D x 10 1/2" H]. Plastic Eye painted on ver

Edgefield, South Carolina, circa 1850 attributed to David Drake working at Stoney Bluff. The jar has a nice size with rich chocolate alkaline glazed and high handles on the ovoid body. The piece is in

[Attributed to] (David) Johnson, signed, and dated 1883, oil on panel, "From [?] Gap". American, 1883. [Unframed]. 9 1/4"h x 16"w=panel. CONDITION: Significant craquelure in sky; minor losses to paint

(American, b. 1952). Oil on canvas, signed "David Richey Johnsen" ll, sight size: 42 3/4 x 32 3/4 in., framedPrivate collection, Rehoboth Beach, DE Craig Flinner Gallery, Baltimore, MD, label on verso