ATTRIBUTED TO ANTOINE PESNE, FRENCH/PRUSSIAN, 18TH C

Attributed to Antoine Pesne (French, 1683-1757), 18th C., portrait of a woman and child with attendant bringing in a tray of fruit, unsigned. This work shows strong similarities with the background of

Red chalk drawing of peasant family in fields. Attributed to the 18th century French artisit, Jean-Antoine Watteau by Paris dealer noted on back of drawing. Purchased at Christies in 1992. Work size 6

A pair of attributed 18th Century Sevres putti cherub candelabras each having three branches or arms ascending upward with a putti standing in the center atop a bed porcelain flower and greenery; one

After Jean-Antoine Watteau(18th century)L'Alte (Soldiers at rest)oil on cradled panel13 1/2 x 17in (34 x 43cm)

A beautiful antique oil on canvas painting depicting religious scene, signed Garofalo, attributed to 18th century Italian artist Carlo Garofalo, 29"x38.8"

A portrait attributed to 18th century miniature painter Edward Greene Malbone (American, 1777-1807). This piece is presented in a period sealed metal casing which is unable to be opened without damagi

18th Century Japanese Woodblock Print attributed to Kitagawa Utamaro. Professionally matted hinged mounted on board w hand carved wooden frame. Has soiled paper, faded colors and creased center. Frame

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

A charming little French faience olive pot or single-glass montieth, mid 18th century, attributed to the d’Olerys workshop in Moustiers. Decorated with lion face masks on each side with polychr

Chippendale bonnet-top mahogany chest on chest, attributed to Massachusetts, 18th century, white pine secondary. Upper section with bonnet top having carved rosettes and three carved urn and flame fin

Handsome Louis XVI Provencal Canape 18th century, attributed to Pierre Nicolas Pillot (1748-1822), Nimes, France, the carved and molded polychromed frame with a central floral spray, acanthus-carved a

English Soft-Paste Porcelain Figure of Salacia, third quarter 18th century, attributed to Derby, with patch marks, on a matching stand, both richly decorated with encrusted shells and seaweed, Salacia

George III Fire-Gilt Brass and Leather-Bound Tea Caddy Late 18th century, attributed to Henry Clay Painted in the round and inset with opposing jasperware panels. Height 4 1/2 inches (11.5 cm), width

Mid-Atlantic Chippendale Cherry Corner Chairlate 18th century, attributed to Virginia or Maryland, yellow pine secondary, two pierced vasiform back splats, shaped arms, ring turned arm supports, slip

Southern Federal Walnut Table18th century, attributed to Chowan County, North Carolina, rectangular two board top, flush skirt rails, wood peg joinery, straight rounded legs with button feet. 26.25 x

New England Heart and Crown Bannister Back Armchairattributed to Connecticut, 18th century, maple and pine, finial post, turned stiles, later rush seat, shaped and notched arm terminus, double turned

Late 18th Century. Attributed Ebner Toppen, Newburyport, Massachusetts. 44in h x 43in w x 23in d. Condition: Brasses possibly original; shrinakage crack to left side panel; rubbing, wear, and abrasion

Stoneware ovoid jug - 2 gallon - with deep cobalt blue watch spring decoration on front and base of handle and 3 leaf clover decorations on both sides - 18th century attributed to NY city or NJ maker

Stoneware ovoid jug - 2 gallon - with deep cobalt blue watch spring decoration on front and base of handle and 3 leaf clover decorations on both sides - 18th century attributed to NY city or NJ maker

Framed Master Drawing of a Leg, Italian, 18th century, attributed to Supervilleaux, well executed in sepia on laid paper, showing leg ending in Roman sandal, 14" x 18".

A pressed horn snuff box, A pressed horn snuff box, early 18th century, attributed to John O'Brisset, inscribed 'Sir Francis Drake' above the arms of the Drake family, relief moulded 'OB' mark, 8.1cm

attributed to late 18th century, courting scene, 3' 8" x 6' 4", some repairs, scarce.

the first attributed to Bristol, 18th century, painted in blue with chinoiserie landscape and fisherman by the sea, bianco sopra bianco floral border along the rim, 13-1/2 in.; the second probably Dut

Rachel Ruysch (attrib.), oil on canvas, 18th c., Attributed to Rachel Ruysch (Dutch, 1664-1750), Floral Still Life with Gourds, Fruit and Dog, no signature observed, old label verso, 48"h x 40"w (sigh