Attrib. Bernardo Bellotto (1721-1780), Palazzo Regionale Venice

Bernardo Bellotto (Italian, 1721-1780) Perspective de la Place de la grande Garde, 1750 etching 20 3/4 x 31 7/8 inches. Literature: De Vesme 15

Bernardo Bellotto (Italian, 1721-1780) Perspective de la galerie et du Jardin de son Excellence Monseigneur le Comte de Bruhl, 1747 etching 20 7/8 x 32 1/2 inches. Literature: De Vesme 10

(Nove, 1824 - Venezia, 1884) Veduta Olio su tela, cm 65X131 Provenienza: Venezia, Semenzato, 25 aprile 1993, lotto 69 (come attribuito a Bernardo Bellotto) Londra, Christie's, 6 dicembre 2006, lotto 1

Italian Refracting Vellum Telescope by Leonardo Semitecolo, c. 1780 Venice, orange tube with embossed decoration and signature, 3-draw vellum-covered pasteboard telescope, turned horn fittings (slight

Bernando Belloto (Italian, 1721-1780). Scene of the River Elbe from Dresden. Print on canvas, mark on verso. Water damage on upper left and right, discoloration throughout. Losses to frame. Sight: 22"

Follower of Michele Marieschi (Italian, 1696-1743) The courtyard of the Palazzo Ducale, Venice oil on canvas 27 1/2 x 42in (69.9 x 106.7cm) Footnotes: The present work is based on the larger, original

Francesco Guardi Venice Landscape 1712-179314 3/4 " Ã 11 1/2 "PRIVATE COLLECTION .Attributed to the Artist .Painting Mixed Media on Board .

PALAZZI, GIOVANNI. Fasti ducales ab Anafesto I. ad Siluestrum Valerium Venetorum ducem ... Adiectae sunt adnotationes, ad vitam cuiusque principis, rerum, quae omissae fuerant, studio Ioannis Palatii

P. Gabrini, 19th century, historicizing scene in front of a palazzo in Venice, oil on sheet metal, u. re. sign. ''P. Gabrini'', 48 x 68 cm, framed 57 x 76 cm

Vibrant ornate architectural capricchio titled at bottom "The Byzantine Ghosts Haunt the Palazzo Barzizza Venice". Comprised of several dozen sculptural relief elements mounted on board. Originally pu

Palazzo Darius, Venice 8" x 5 1/2" (image) etching signed in the border lower right Albert Roullier Gallery label verso

"Palazzo Ducale Venice Harbor". Oil on canvas. Signed lower right. From a White Plains, NY collection. - Dimensions: 24" h x 36" w.

ZANOTTO, Francesco. Il Palazzo Ducale di Venezia. Venezia, G. Antonelli, 1853 – 18614 Volumi in-folio. 330x235 mm. Legatura coeva mezza pelle e cartonato marmorizzato, titoli in oro su tasselli

"Claude Monet (1840-1926) was a French painter and one of the leading figures of the Impressionist art movement. He is renowned for his innovative approach to capturing light, color, and the fleeting

Konstantin Ivanovich Gorbatov (attrib.) 1876 Stavropol - 1945 Berlin Venice - View of the Grand Canal with a view of the Basilica Maria della Salute. Oil on canvas, min. dam. Inscribed lower right. 47

Bernanrd Buffett. was a French painter of Expressionism and a member of the anti-abstract art group L'homme T_moin." Venice" . Mixed media on paper. attrib-Certificated of authenticity. Size:10"h x 12

Attributed to Eugene Lamy (French, 1855-1919)The Grand Canal, Veniceoil on canvassigned lower right E Lamy17 1/4 x 24 1/4in (44 x 61.5cm) Provenance:Property of a Private Co

Venetian School, 19th Century The Grand Canal, Venice, with the Rialto Bridge, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi; and San Geremia and the Entrance to the Cannaregio, Venice a pa

Oil on canvas(mounted on panel), Venice, View of Santa Maria Della Salute. Signed l.r. Original frame and plaquard; 25.5in. X 40.5in.

Attributed to: Joseph Highmore, British (1692-1780), Oil on Canvas, Portrait of a Lady with Flowers. Unsigned. Measures 33" H, 26-1/2" W; frame measures 36-1/2" H, 30-1/4" W. A work listed as "attribu

[INGRES, Jean Auguste Dominique (French, 1780-1867), ATTRIBUTION]. Original Sketch of Hands. [ca. 19th century]. Pencil and pastel sketch on paper. Signed on the lower right corner. Sight 4 ½ x 6

Apollonio Domenichini, alternatively identified as Master of the Langmatt Foundation Views (active Venice circa 1740-1760) Venice, a view of the Grand Canal looking south from the Palazzo Foscari and

MANIFATTURA COZZI, VENEZIA, CIRCA 1770-1780 bassa e decorata con arma araldica e fiorellini dorati; poche minime usure Marca di fabbrica Alt. cm 3,9, diam. piattino cm 11,7 A VENICE PORCELAIN ARMORIAL

(1803 Middelburg - 1862 Kleve) Rastender Viehhirte an einem baumbestandenen Weg Durch Staffage belebte, charakteristische Gebirgslandschaft mit Flusslauf. Ein auch in diesem Gemälde wiederk