Att. to Richard Westall, (British, 1766-1836)

Circle of Richard Westall RA (1766-1836) Circle of Richard Westall RA (1766-1836) A wounded female warrior oil on board, oval 28.5 x 21.5cm Provenance: The Estate of Sir Jack and Lady Baer. Condition

Richard Westall (British, 1765-1836) , "Village Scene with Inn", oil on canvas, signed lower left, 20 1/2 in. x 26 3/4 in., unframed Condition: Scattered loss and active flaking throughout; toning of

A grouping of two pencil drawings with watercolor details on paper, portraits of an artist and gentlewoman. Possibly by Richard Westall (English, 1765-1836) or Sir Thomas Lawrence (English, 1769-1830)

(19th century) Village with Tavern and Travelers, unsigned, oil on canvas, 11-7/8 x 15-3/8 in.; 19th century gilt wood and composition frame, inscribed "R. Westall" (Richard Westall, British, 1766-183

Richard Westall (1765-1836) (after). Set 6 scenes farmers villagers. Hand-colored engravings, Paris, early 19th c. Largest 19 1/2" x 23 1/2".

Phil Morris "Cood Nicht" Oil Painting. Oil on canvas painting titled "Cood Nicht" depicting a woman and two children over looking a harbor by artist Philip Richard Morris (British, 1836-1902). Signed

Richard Westall (1765-1836, English) six framed and matted watercolor/ink illustrations to George Crabbe's poems "The Church", "The Parting Hour", "Clubs and Social Meetings" and "A Frank Courtship",

Hans Veit Schnorr von Carolsfeld (1764 Schneeberg (Saxony) - 1841 Leipzig) after Richard Westall (1765 Hertford - 1836 London): The Right Honorable Lord Byron, 1833, Brush drawing Technique: White hei

Richard Westhall (British, 1765-1836). A watercolor on paper, portrait of figure in profile. Signed lower left "R. Westhall, R.A." Mat opening: 4in x 5-1/2in. Frame is 11-1/2in x 9-1/2in.

Robert Thew (British, 1758-1802) , "Shakespeare, King Henry the Eighth, Act IV. Scene II.", 1798, stipple engraving, after Richard Westfall (British, 1765-1836), published by J & J Boydell, London, sh

After William Westall (1765-1836) British. ‘Windsor Castle, on the Terrace’, Print, overall 9.5” x 13.75”.

Richard Earlom (British, 1743-1822) Four Landscapes After Claude Lorrain. Etching and aquatint dated to 1766 Each: 8" x 10.25" Frames: 16.75" x 18.75"

Portrait of M. Hussey. Circa1830/40s.Oil on canvas, initials lower right side: "F.R.P." Dimensions: H 30" x W 20"Condition: Good. Re-lined, cleaned and new stretcher.

Sir Edward John Poynter, PRA, RWS (British, 1836-1919) The Cup of Tantalus oil on canvas 113 x 75cm (44 1/2 x 29 1/2in). Footnotes: Provenance Private collection, Canada.

Large Ruth Garnett (British, 1836-1915) Oil on Canvas of Mother and Children. The frame measures 100 1/2" x 66 1/2" and the canvas measures 88" x 53". Ruth Garnett exhibited frequently in London galle

Sir Lawrence Alma-Tadema, OM, RA (British, 1836-1912) Portrait study of Mrs Mahala Colton signed, inscribed and dated 'L Alma Tadema/with a happy new year/to Mrs Mahala Colton/L. 1905' (lower right) w

(British, 1836-1890) The Grand Canal, Venice, signed lower right "A. Pollentine/72", oil on canvas, 20 x 32 in.; gilt wood and composition frame, 25-5/8 x 37-3/4 in. - Provenance: Private Collection,

Alfred Pollentine (British, 1836-1890)The Palace Pisani and The Grand Canal, Venice (2)oil on canvaseach signed lower right Pollentine, each respectively titled and signed again to the reverse21 x

William Holmes Sullivan (British, 1836-1908) A Walk in the Garden oil on canvas signed (lower right) 23 x 17 inches. Provenance:

ALFRED POLLENTINE (British 1836-1890) A PAINTING, "The Ducal Palace, Venice," oil on canvas, signed L/R. 16" x 24"

Oil on canvas signed by Alfred Pollentine (British, 1836 – 1890) representing the Amalfi Gulf (Naples) (Italy), dated 1869 H: 70 cm, L: 102 cm (H: 27,5 inch, L: 40,1 inch) including frame

(British, 1836-1855) Head Study of a White Terrier, wearing a collar, unsigned, oil on artist board with "Ackerman...London" colourman label, 8-3/8 x 7-1/8 in.; original gilt wood and composition fram

John Atkinson Grimshaw (British, 1836-1893) A fallen greenfinch signed and dated 'J.A.Grimshaw 1863' (lower left) watercolour and bodycolour 15.2 x 20.3cm (6 x 8in). Footnotes: Provenanc

(British, 1836-1890). Oil on canvas, signed "A, Pollentine" lr, signed and titled "San Giorgio Magiore, Venice" on verso, 16 x 24 in., framed