Alfred Herbert Hutty, "In Old Charleston", Signed

Alfred Hutty (American 1877-1954)- ''The Old Smyth Gate, Charleston''- etching, 1927, signed in pencil with snail cypher. 7 5/8 x 8 7/8''

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Alfred Heber Hutty (NY/SC, 1877-1954), Old St. Michael's. Charleston, 1928, Etching, pencil signed lower right,

“The Old Smyth Gate, Charleston, S.C.”. Signed in pencil l/r and dated 1927. Etching on Paper. Measuring 8 1/2” by 9”. Framed under Plexiglas. (Cond: some toning) (150/200)

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Alfred Heber Hutty (South Carolina, 1877-1954), Old St. Michael's Charleston, 1928, Etching, pencil signed lower

Alfred Hutty (Charleston Renaissance, 1877-1954): Etching on Paper Signed on lower margin with snail; titled "Beverly Beeches" to label on back of frame, believed to be an edition of 75; matted and fr

Alfred Hutty (American/New York/South Carolina, 1877-1954). "Street Vendor, Church and Tradd Streets, Charleston, South Carolina" -1947, watercolor. Signed and titled verso, also signed verso by Bessi

Alfred Heber Hutty (American/New York/South Carolina, 1877-1954). "My Charleston Studio" -1931, etching. Pencil signed lower right. Note: Catalogue number 111 in the catalogue raisonne of Hutty's prin

South Carolina, drypoint etching, signed lower right with signature and cypher. (6-1/8 x 7-3/4 inches, sight) (5.5 x 7 inches, plate size) H: 17.25 in., W: 14.75 in., D: 0.5 in. (overall)

116154 ALFRED HUTTY WATERCOLOR CHARLESTON SOUTH CAROLINA Hutty, Alfred Heber (1877 - 1954) painting. Watercolor on paper - signed lower right. A woman stops to pause outside of the George Edwards-Gate

Alfred Hutty (American/New York/South Carolina, 1877-1954). Three figure studies, watercolor. One signed, framed together. Note: While the figure of the seated lady is more typical of Hutty's subject

Bearskin Neck, Rockport, MA, 1923; edition of 75, signed in pencil lower right "Alfred Hutty" with snail cypher, etching on paper, full margins; matted and under glass in wood frame; sight 4 5/8"W x 4

ALFRED HEBER HUTTY (AMERICAN, 1877-1954) SOUTH CAROLINA LOWCOUNTRY "PATRIARCH" PRINT, drypoint, depicting a magnificent live oak specimen at Middleton Gardens in Charleston, pencil signed and monogram

etching and drypoint, signed in pencil and with snail cipher lower right, titled and marked as an edition of 75 in pencil lower left beneath matting, housed in wooden frame. Platemark 8 7/8 x 11 7/8 i

ALFRED HEBER HUTTY (AMERICAN/CHARLESTON 1877-1954), ETCHING, "ST. MICHAEL'S IN SUNLIGHT", SIGNED (IN PENCIL LR). 9 3/4 X 12 1/4"

Alfred Heber Hutty (American/New York/South Carolina, 1877-1954). "In Magnolia Gardens" -1923, etching. Pencil signed lower right. Note: Catalogue number 20 in the catalogue raisonne of Hutty's prints

Alfred Hutty (American, 1877-1954), Avenue of Live Oaks (Charleston)etching and drypoint, 1922, pencil signed, titled, and with Hutty's snail cypher at lower right, matted and framed. Frame dimensions

Alfred Hutty, 1877-1954, Etching Peasants And Donkeys. Pencil Signed. Well Listed Artist American / Charleston. Size: image 10.25 in. x 8.25 in.; outer size 16.75 in. x 14.75 in.

St. Michael's in Sunlight Charleston, SC and St. Phillips Church. Charleston SC, both are after Alfred Hutty. The St. Michaels is signed by his son Warren Hutty and dated 1973, the St Phillips is not.

The Old Smyth Gate, Charleston 1927 edition of 150, signed lower right Alfred Hutty with snail cypher and inscribed in bottom

American, 1877-1954. Etching on paper, signed lower right. Classical style building with gates, most likely St. Michaels in Charleston. Framed, 14.75"h. 17.75"w.

ALFRED HUTTY SIGNED ETCHING- THE SMYTH GATEWAY LEGARE ST CHARLESTON SOUTH CAROLINA 1932, ESTATE FOUND CONDITION, FRAME MEASURES 14 1/2" X 17 1/4", AS PICTURED

ALFRED HUTTYNew York/South Carolina/Michigan, 1877-1954"The Sword Gate [Charleston, South Carolina]", circa 1935. Edition of 70. Signed in pencil lower right. Snail cypher. A fine, dark impr

(Charleston, South Carolina, 1877-1954) Original stone lithograph pencil signed by the artist. These original lightgraphs are uncommon. Some slight wrinkling to edges and minor foxing consistent with

(South Carolina/New York/Michigan, 1877-1954) Etching of mountain home in hill country, signed lower left and right. Sold from the collection of a Charleston family. Sight Size: H6" W7 1/2" (without m