ALBERT LONDE (1858-1917) A selection of three

[RYDER, Albert Pinkham (American, 1847-1917),IN THE STYLE OF]. Three Figures. [Ca. 19th century - early 20th century]. Oil on board. Unsigned. 12 x 10. Loose in frame 17 ¼ x 15 ¼”.

Hiram Martin Chittenden (American, 1858-1917) The History of the American Fur Trade of the Far West (1902) First edition, three volumes Pub. Francis P. Harper (New York) Bound in green cloth with gilt

WWI British poster, 'Britishers - You're Needed - Come Across Now', artwork by Lloyd Myers, British and Canadian Recruiting Mission, Albert Frank & Co., N.Y. Agents, 1917, 28 x 41 inches. Three small

To include: two 1925 Stone Mountain Memorial Commemorative Half Dollars, one Seated Liberty 1858-O Half Dollar, three Walking Liberty Half Dollars (1917, 1920, 1921-S), two Booker T. Washington Memori

***Auction Highlight*** 1858 Three Dollar Gold 3 Graded au55 details By SEGS. A Key Date's Pick, Bid to Win, Don't let it get Away Coin

***Auction Highlight*** 1858 Three Dollar Gold 3 Graded au55 details By SEGS. A Key Date's Pick, Bid to Win, Don't let it get Away Coin

"Giulio Rosati (Italian, 1858–1917) Dancing the Menuet Signed and dated 'G. Rosati 87' bottom left, oil on board18 3/8 x 31 7/8 in. (46.7 x 81cm) Provenance Private Collection, New Jersey.

Giulio Rosati (1858-1917) Orientalist Watercolor Painting. 37" x 30.1/2"

Jose Maria de Servin (Mexican, b. 1917), Three Figures, oil on masonite, signed upper left, sight: 23.75"h x 17"w, overall (with frame): 28.25"h x 21.75"w

ARTIST: Giulio Rosati (Italy, 1858 - 1917) NAME: Stop in the Desert MEDIUM: watercolor on paper CONDITION: Excellent. Some age toning. SIGHT SIZE: 21 x 14 inches / 53 x 35 cm FRAME SIZE: unframed SIGN

Framed watercolor painting on card under glass, "The Carpet Merchant", signed lower right Giulio Rosati (Italian, 1858-1917), impressed lower right : "Copyright, 1901 by, J/S Tyroler, New York", tag o

Giulio Rosati, Italian, 1858-1917, Arab Market Scene, Watercolor On Paper, Signed Lower Right, Sight 15 X 20.5 Inches, Antique Giltwood Frame, 24 X 30.5 X 2.5 Inches, Colors Strong, Gilt On Frame Rubb

Albert Zahn. Three Birds. Carved and painted wood with nails. Natural wood splits in base, minor wear on beaks, otherwise very good condition. Largest is 10" long. Shortest is 6" long. Provenance: acq

Selection of three Continental and twelve Colonial notes comprising CC-40, CC-50, CC-85; Georgia 1776 One Milled Dollar, MD-58, PA-164,167, 207, 210, 212, 219a, SC-145, 146, 147, 149, condition varies

Florence Knoll (American, 1917-2019), Three-Seat SofaKnoll Associates, circa 1970, original tone boucle fabric upholstery, tufted back and seat cushions, polished steel legs. 26 x 90 x 31 in. Original

ALTON PICKENS (AMERICAN, 1917-1991) - "THREE FIGURES" - Oil on canvas - Framed - 48 x 35 in. (sight) - PROVENANCE: - ACA Gallery - New York, NY - -- Dimensions: ---

FLORENCE KNOLL (b. 1917) KNOLL ASSOCIATES Three benches, New York, 1960s Chromed steel, upholstery Manufacturer labels 16 1/2" x 27" sq.

(French, 1884-1966), gilt-white metal signed in script "Albert Cheuret" with three alabaster tulip shades, 15 in.,. Provenance: Property from a Palm Beach, Florida Estate

Albert Alcalay (French, 1917-2008), "The Remote City," oil on canvas, signed lower right, titled and dated verso with Krasner Gallery tag; 37 3/4" h x 38" w (view), 38 3/4" sq (frame). Provenance: Fro

Night Scene Over Water, After Albert Pinkham Ryder (1847-1917) Loreley, Oil On Academy Board, Unsigned, Late 19th/early 20th Century, Sight: 11 1/2 X 8; Framed: 19 1/2 X 17. See Photos For Condition A

ALBERT WENZELL (American 1864-1917) An Afternoon in Hyde Park Mixed media (gouache, watercolor and oil) on paper laid down 34 x 43 1/2 inches; 86.36 x 110.49 cm Signed and dated lower left: A. Wenzell

Attributed to Albert Gilbert (Belgian, 1832-1917), "Unrequited Love: Debutante with Gifts from a Suitor," oil on board, signed "A. Gilbert" lower right, presented in a giltwood frame, H.- 27 3/4 in.,

Collection of antique Japanese woodblock prints by Utagawa Hiroshige (Japanese, 1797-1858), from the series Fifty-Three Stations of the Tokaido, published by Marusei; comprising 36 of the full

Monumental majolica jardiniere on stand, in the manner of Clement Massier (French, 1844-1917), mottled green/ black glaze, three griffin supports on conforming plinth base, bottom edge (foot) of jardi