AFTERNOON DEPARTURE AT STONEY POINT LIGHT - BY WILLIAM

Hand colored photograph, depicting view of harbor with catboats docked in the foreground and Killen's wharf and Brant Point Light in the background. Attributed to William V Coffin, c. 1930,10.5H inche

Unsigned oil on canvas, reverse inscription in pencil, William J. Niles "Afternoon Eastern Point" has prior auction label identifying it, size is 16" x 21" overall framed size is 18 1/2" x 23 3/4"

A well executed landscape, depicting a summer afternoon light illuminating a rivers edge, initialed AMB and dated 18?7 lower right, in a labeled (George FOF Framer of NY) gilt decorated frame. Canvas:

PAINTED AND CARVED DECOY WITH GLASS EYES, HORNICK BROS., STONEY POINT DECOYS, OAK HILL VA, SIGNED RAYMOND E. HORNICK, 1981. LENGTH 14"

"Lighthouse, Late Afternoon", watercolor on paper, signed "Gene Klebe AWS" lower right, titled and signed verso, a nice depiction of the Pemaquid Point light and keeper's house, in a wooden frame with

Bartlett view -Caldwell Lake George; Rue De Coronet- William DP Davis; View of Notre Dame; French Street Scene; Framed lithograph of a Snipe; Great Point Light- GS Hill; Landscape- Helen Miller

2 7/8" Beaver Lake. Taylor Co, KY. Thin and well made Paleo point with a few light nicks. Glossy Hornstone. Ex-Glen McQuaide, Ken Williams. Found by Tony Williams. Perino and Davis G9 COAs

West Point graduate and eventually becoming Commanding General of the US Army, signed 'W T Sherman General' in black ink on very light blue lined paper, visible sheet size 2x4.75in., mounted and frame

Joseph Mallord William Turner (1775–1851) was an English Romantic landscape painter known for his innovative and expressive use of light, color, and atmospheric effects. Here are key points about J.

ARTIST: Gloria K Williams (California, 20 century) NAME: Sunset Seascape, Dana Point, CA MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 11 x

JOSEPH MCGURLMassachusetts, b. 1958"Afternoon Light, Vineyard Sound". Signed lower right "Joseph McGurl". Titled verso.Oil on linen, 18" x 24". Framed 27" x 33"

GEORGE DOUGLAS BREWERTONCalifornia/Rhode Island, 1827-1901"Afternoon Light". Signed lower left "Brewerton". Titled on gallery label verso.Pastel on paper, 14" x 22.5". Framed 22" x 30.5". Provenance:V

Walter Gonske | b. 1942 NAWA Late Afternoon Light On Taos Pueblo Land Signed l/r: Gonske Oil on canvas 9 by 12 inches

Roger Curtis (1910-2000) Afternoon Light oil on canvas, 24 x 36 in., signed l.r.

Noctilux 1.2/50 mm Lens, 1968 Leitz, Wetzlar. No. 2254505, with lens hood 12503 (lens hood with barely noticeable dent) and back cap. When viewed under point light, there are either faint traces of cl

6 Kinoptik Apochromats in 100, 75, 50, 35, 28 and 25 mm Kinoptik, Paris. With Debrie mounts, all front lenses clean and without traces of cleaning, checked under point light. 1) No. 3132, 2/25 mm, cle

Zunow 1.1/5 cm Lens for Leica M39, 1952 Zunow Optical, Japan. No. 5646 with original front cap and Zunow sunshade, glass clean under point light, smooth aperture, distance scale in feet, focusing fixe

Nokton 1.5/50 mm Lens for Contax or Nikon, c. 1950 Voigtländer, Braunschweig. Nokton 1.5/50 mm no. 3275662, optics clean under point light, tested on Contax and Nikon on seat as well as at infini

Summilux-M 1,4/75 mm, c. 1998 Leitz, Canada. No. 3837609, third version, with front and back caps, in very good condition, glass clean under point light, weight (without caps) 560 grams. A sought-afte

Summicron-M 2/35 mm for Leica M3, c. 1965 Leitz, Wetzlar. No. 2133574, code name SAMWO/11108, lens with 8 elements, original back cap, very good condition, clean glass under point light. Summicron-M 2

Summilux-M 1,4/75 mm, c. 1980 Leitz, Canada. No. 3439757, second version, with front cap, Minolta back cap and original box 11815, in very good condition, glass clean under point light, a sought-after

Summilux 1.4/50 mm for Leica M, c. 1966 Leitz, Wetzlar. No. 2198612, rare first variant with 43 mm filter thread, sunshade 12586 and cap 14163, optics clean under point light. A sought-after lens in e

Thambar 2.9/9 cm Lens, c. 1934 Leitz, Wetzlar. No. 226445, the legendary soft-focus lens, with back cap and matching E. Leitz N.Y. SL filter, clean optics under point light, good focusing and aperture

ARTIST: Charles Arthur Fries (California, New York, Ohio, 1854 - 1940) NAME: Landscape - Afternoon Light MEDIUM: oil on canvas CONDITION: Relined. Some craquelure. No visible inpaint under UV light. M