after Rembrandt

Impressive Antique Old Master portrait painting. Oil on canvas. Measuring 38L x 54.5H. No signature found. Please see all images for condition and size. BLACKLIGHT AND DETAILS: https://www.dropbox.com

scultura in bronzo, cm 16x23x36. Firma e data 1901 incisi alla base

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

Rembrandt Harmenszoon Van Rijn (Netherlands, 1606 - 1669) After: Self Portrait. Oil on canvas, unframed, sticker with numbers verso. Rembrandt is revered not only as a painter, but also as a supreme m

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

* Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ Driving the Money Changers from the Temple, 1635 etching 5 1/4 x 6 1/2 inches. Estimate $7,000-9,000 Property from the Estate of Richardson a

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Van Rijn, Rembrandt Harmenszoon (1606-1669) Self portrait in a cap and scarf with the face dark Description: Etching on paper, signed and dated on lower left Rembrandt f. 1633 Dimension (PO): 5 1/8" x

A period, 17th century etching (framed): Rembrandt Van Rijn (Netherlands, 1606 - 1669), "Small Lion Hunt" with two lions, B.115, H. 180, sheet 6 3/8 x 5", on laid paper (tissue backed), armorial water

An 18th C. or earlier, portrait painting on oak panel of a young Rembrandt in a period black frame, old label on reverse, Image approx. 23.5” x 18”, Overall in frame 37.5” x 31.

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

The lot consist of hand painted large master piece interior oil on canvas .The illustration depicts the duke seated in the center of a fantastic art gallery, surrounded by sculptures by Michelangelo a

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Follower of Rembrandt (17th - 18th Century) Portrait of a bearded old man in a red beret. Oil on Panel. There is a letter written in ink and dated 1798 attached to the back, it describes Rembrandt and

Rembrandt Harmenszoon van Rijn, framed antique etching laid on paper "St. Jerome Reading". Provenance: Contessa Gallery, Cleveland OH. From a Greenwich, CT private collection. Dimensions:  Art:&n