After James Abbot McNeill Whistler, 2 prints

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

James Abbot McNeill Whistler, American, 1834-1903, "Little Arthur", etching on wove paper (JMAC1003) {TC} Property Title: Measurements:plate 2 1/4 in x 1 7/8 in, framed 12 x 11 3/5

Comprising a Walter Greaves (English, 1846-1930) ink on paper, a Percy Thomas (English, 1846-1922) etching, and a Barry Moser (American, b. 1940) woodblock print. Overall: 13-1/2"h x 10-1/4"w, 12-3/4"

Hand written note framed with a print of Whistler 14 1/2" x 11 1/2" overall with frame

James Abbott McNeill Whistler (1834-1903), (3) framed prints. Info verso. Largest frame overall 15 1/2" x 19 1/2".

Paul Adolphe Rajon. Intaglio print depicting bust-length portrait of James Abbott McNeill Whistler. Signed in the plate "A. Rajon". [Sight: 9 1/2" x 7 1/2"; Frame: 15 3/4" x 13 3/4"]. Verso bears PB84

Print. Published in The Art News, 1928. Approx. 13 1/2" by 18 1/2", 24 1/2" by 20" with frame.

The Lime House, from A Series of Sixteen Etchings of Scenes on the Thames, depicting a harbor scene with boat workers and onlookers. Signed, original proof etching, date inscribed. Plate 4.75”H

'Black Lion Wharf'. Etching. Signed and dated in plate. Verso: Several labels and inscriptions including from the Frederick Keppel & Co. Gallery, NYC. Property from a Manhattan, NY estate. Dimensi

JAMES ABBOT MCNEILL WHISTLER ETCHING TITLED ANNIE, SIGNED & TITLED IN THE PLATE, WITH ORIGINAL ARTHUR H. HARLOW & CO. 712 FIFTH AVE, NYC GALLERY LABEL AND INFORMATION HANDWRITTEN ON BACK, AS PICTURED.

James Abbot McNeill Whistler (American, 1834-1903) Hurlingham etching 5 x 7 inches (visible).  Property from the Estate of Peter F. Stone, Buchanan, Michigan

BILLINGSGATE (G.51, K.47), 1859, etching, signed and dated in the plate lower right, plate 6 x 9”, sheet 10 x 14 ¼”, frame 15 ¾ x 19 ¾” with glass.

Studies of Venice 8 3/4" x 4 1/4" and 8 1/4" x 5" (sight) lithographs

[Whistler] E. R. and J. Pennell. The Life Of James McNeill Whistler. 2 Vols. Lon: William Heinemann, 1908. #112 of 150 signed by the publisher. Dozens of single-page illustrations of Whistler’s draw

Etching. Signed lower left in plate. James Abbot McNeill Whistler, American (1834-1903). Approx. 13" H x 8" W sight, 24" H x 20" W framed.

Art book The Lithographs of James Mcneill Whistler by Martha Tedeschi. Two volumes in hardbound slipcase. Published by The Art Institute of Chicago 1998.

PENCIL SIGNED JAMES MCNEILL WHISTLER PRINT "THE DOORWAY" . FIRST STATE. 13" X 17" FRAMED, 12" X 8" SIGHT. PROPERTY FROM THE BENTLEY ESTATE

Oil on canvas. Signed. Dimensions: 16" x 20"; framed: 22" x 26". "Noturnal painting" was the term first coined by James Abbot McNeill Whistler to works at Dusk that portray pensive and still moods. Ge

JAMES ABBOT MCNEILL WHISTLER (American 1834-1903) "Billingsgate" Etching (3rd state) Plate:6 x 9 inches; Sheet: 9 7/8 x 14 inches. Signed and dated in the plate lower right: Whistler 1859; titled and

Colour Photogravure Published C1907, London? Unknown Engraver after James McNeill Whistler. Paper Size: 19 x 16 inch (48 x 40cm) Mounted to board. Good condition

Large Folio Heliogravure by Dujardin after James McNeill Whistler. Published C1900, London or Glasgow. Paper Size: 26 x 18.5 inch (66 x 35cm) Closed tear, left side. Some margin toning

James McNeill Whistler (1834–1903), print of a store front street scene, under glass, Whistler butterfly signature above the street sign . From the Collection of Jeffrey M. Kaplan. [Art: 8" H x

This is an estate found signed print by American artist Clifford Isaac Addams (1876-1942). Addams was a protege of James McNeill Whistler. The framed print features the "Peerless" ferry coming to shor

James McNeill Whistler (American, 1834-1903) Plate IX from A Catalogue of Blue and White Nankin Porcelain by Sir Henry Thompson. Illustrated by Whistler, autotype print on paper. Image size: 6.75" x 6