After Giovanni Batista Falda

(Italian, 1648-1678) Title plate and 19 plates of Roman garden designs from Li giardini di Roma con le loro piante alzate e vedute in prospettiva.., Giovanni Giacomo De'Rossi, 1683, Rome, publisher, a

After Giovanni Battista Falda, Italian, 1643-1678. An 18th century etching on paper titled, "Veduta dell' Ampia Basilica Vaticana" (View of the Large Vatican Basilica). Signed "Gio. Batista Falda" in

Spanish school of the XIX century. Follower of GIOVANNI BATISTA SALVI "IL SASSOFERRATO" (Sassoferrato, 1609 - Rome, 1685). "Mater Dolorosa". Oil on canvas. It has Repainting and a hole in the canvas.

Virgin and Child with St. John Etching, unsigned. Mounted to paper with multiple inscriptions along lower edge., Etching: 10" height, 14.5" width; paper: 12.25" height, 17.75" width

Follower of Giovanni Batista Tiepolo Italian Old Master, head of an Oriental, oil on Vellum laid on wood panel, 7 4/10 x 5 6/10" oil on vellum size, 7 7/10 x 5 7/10" panel size.Giovanni Battista Tiepo

DESCRIPTION: Giovanni Batista Piranesi (Italy, 1720-1778). Etching on laid paper. Veduta del Castello dell'Acqua Paola sul Monte Aureo." With center fold crease. In archival frame. MEASUREMENTS: Plate

Original etching in large format "Veduta del Palazzo Odescalchi" by Giovanni Piranesi (1720-1778), published in 1753. Features strong border impression and vertical plate fold. Condition fine with no

A Print after the likeness of Piranesi. A black and white depiction of the Arc of Janus. Fig. 2 to top right. Artist signature lower left.Work Size: 7.5 x 5 in.Dimensions: 8.5 X 11.5 X 1 in.

signed "Giovanni Batista" to base 23 1/2 x 9 x 9 in. (59.7 x 22.9 x 22.9 cm.)

A rare 17th century Italian hand-colored engraving of "Citri Flores" by Giovanni Batista Ferrari, 1655, in a giltwood frame. 14" w x 18" h.

Etching titled "Avanzi della Villa di Mecenate", by Giovanni Batista Piranesi. [Image: 17 1/2"H x 26 1/4" W; Frame: 25 1/4" H x 34" W]. Toning; foxing; stains.

Soft cover Italian book titled Institutionum Medicarum by Morgagni, copyright 1982 Inner cover reads Giovanni Batista Morgagni, Nova Institutionum Medicarum Idea. Book is in Italian and has copies of

Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna , parts 1-3 (of 4), 3 engraved titles and 85 plates (including 3 dedication leaves), 1665-[1669]; Le fontane di Roma nelle p

VEDUTA DELLA CHIESA DI S. IGNATIO...; CHIESA DEDICATA AL NOME DI...Two engravings, from Il Nuovo Teatro delle Fabbriche..., Rome, 1665-1669, framed.Plates 6 7/8 x 11 1/4 inches; 175 x 286 mm.Frame 15

Giovanni Battista Falda (Italian, 1648-1678) Italian Pallazi. Two hand-colored engravings. Together with another by an unknown artist Larger: 17.5" x 22" Frame: 28.25" x 32"

NO RESERVE Gardens.- Manelli (Giovanni Battista) Frontispiece from Giovanni Battista Falda's 'I Giardini di Roma', engraving by Arnold Van Westerhout, on laid paper with double encircled watermark, pl

"Altra Veduta di Castello Gandolfo dall parte del' Lago" Copper Plate Published C1680 by Giovanni Giacomo de' Rossi, Rome for "Nuovi disegni dell'architettura e pinate de' Palazzi di Roma" & "Palazzi

"Veduta Dalla Parte Del' Palazzo E Giardino di Castello Gandolfo Dodici Miglia..." Copper Plate Published C1680 by Giovanni Giacomo de' Rossi, Rome for "Nuovi disegni dell'architettura e pinate de' Pa

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

olio su tela, W. 147 - H. 120 Cm, L’opera qui presentata mostra alcuni dettagli compositivi, quali per esempio la figura del pastore con il capo adornato da una corona di foglie in primo piano,

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

Giovanni Francesco Barbieri, better known as Guercino oil on canvas 39 1/4" x 28 3/4" Frame: 50 1/2" x 39 7/8" portrait of May Magdalena Signed lower right 'Guercino'.

Giovanni Boldini (Italian, 1842-1931) Al caffè signed and inscribed 'To Miss B. Pearce/with admiration/Boldini' (on the reverse) oil on card 10.5 x 18.5cm (4 1/8 x 7 5/16in). Footnotes: