A. WATERLOO (1609-1676), Venus and Adonis, around 1650, Etching

Anthonie Waterloo (1609 - 1690) Etching of an allegorical scene in a wooded landscape. Image Size: 11.75 x 9.75 in. Unframed.

Print: Antonie Waterloo (1609-1690) Etching of a Landscape Size: 8.5 x 3.5 inches Please note that this lot has a confidential reserve. When you leave a bid in advance of the auction, submit your maxi

Anthonie Waterloo, Flemish, 1609-1690 Etching of a reclining shepherd under a tree. Sight Size: 11.75 x 9.75 in.

ANTHONIE WATERLOO (FLEMISH, 1609-1690), ETCHING ON PAPER, H 5", L 5", "LES DEUX HOMMES A LA BARRIERE" An etching on paper titled "Les Deux Hommes a la Barriere" by Anthonie Waterloo. Artist's signatur

Francois Perrier (le Bourguignon) (France, 1590-1650). Etching Borghese Venus. Plate 84 from Perrier's Segmenta nobilium signorum et statuarum. Initialed in the plate lower left. Image 9" x 5 1/2" (wi

Giovanni Benedetto Castiglione (1609-1664)Five head studies, from the series of 'Large Oriental Heads'Etchings, circa 1645-1650, all good well inked impressions on various laid papers, the etching 'Be

Damien Hirst Throw it around (from In a Spin, the Action of the World on Things, Volume II) 2002 Etching in colour on 350gsm Hahnemühle paper 91.5 × 112 cm (36 × 44.1 in) Signed, dated and titled E

Artist: Damien HirstTitle: Spin, I Get AroundMedium: limited edition print spin etchingSize: 36 x 28 inchesSignature: SignedCOA Provided: Guaranteed authentic

Italian School, "Venus and Adonis," late 19th c., carved marble group, possibly a Grand Tour souvenir, on an integral circular base, H.- 18 in., W.- 8 1/2 in., D.- 6 in.

Leica M4 KE-7A Nr. 1294870 with 50mm Elcan f2 Nr. 276-0262 with lens cap. Recently serviced and working as designed. Lens shows traces of etching around edges but is otherwise clean and clear, and the

ARTIST: Salvador Dali TITLE: Venus MEDIUM: Etching EDITION NUMBER: EA SIGNED: Hand signed by Salvador Dali DIMENSIONS: 22.04" x 29.91" PUBLISHER: Ediciones Polygrafa Barcelona REFERENCE: The Official

Sevres Style Bronze Mounted Porcelain Urn. The ovoid body finely painted with an oval medallion featuring Venus and Adonis with amorini consorts in a celestial setting, the reverse with a impressionis

This is a fantastic display straight razor. It is has an etched blade that says “Barbers King”. There are numerous etchings around the handle with a great centerpiece showing the Barrel Brand fact

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Claude Lorrain (1600-1682)Le Bouvier (The cowherd)Etching, circa 1650-1651, a well inked impression of Mannocci's fourth state (A), with tree study in black chalk verso tracing the etched tree, on lai

Picasso ( 1881-1973) La Celestine Series (Bloch 1650) Year: 1968 Etching, dated in plate upper left. Full margins. Edition size : 50 Capital Frame. Provenance w paperwork Frame: 17 x 18" Plate: 3 1/2

Louis Icart (1888-1950, French) etching titled "Venus in the Waves" #50, with signature, and embossed windmill stamp, dated 1931, unframed. 30" x 22" oa

Walter Ophey 1882 Eupen - 1930 Duesseldorf Castle on the water Drypoint etching on paper, around 1912/13; H 193 mm, W 248 mm (on 504 x 349 mm); signed ''WOphey''; inscribed ''Schloss am Wasser''

Walter Ophey 1882 Eupen - 1930 Duesseldorf Steep coast with sailing boat Drypoint etching on paper, around 1912/13; H 213 mm, W 213 mm (on 476 x 333 mm); signed ''W Ophey''

VenusAfter the antiqueRome, around 1890/1910PlasterSigned on the baseFERRAZZI DANTE, FORMATTORE VIA BELSIANO 30, ROMA XXHeight 157 cm

Icart, Louis (French, 1888-1950), Venus in the Waves, 1931, etching and aquatint on paper, signed in pencil lower right, Icart's blindstamp lower left, copyright info and date in the plate upper right

GRACE SPAULDING JOHN (American/Texan 1890 - 1972) AN ETCHING, "The Birth of Venus," SEPTEMBER 1969, HOUSTON, TEXAS, on clear acrylic, signed L/L. 50" x 79" x 1" NOTE: Original commissioned for a front

THE MYTHOLOGY VENUS (M.117; F.63-3E), etching, signed in pencil, numbered 24/150, plate 19 3/8 x 15 1/2", full margins, published by Pierre AR Gillet, Paris, white gold frame. Provenance: Galerie Mich

THE MYTHOLOGY VENUS (M.117; F.63-3E), etching, signed in pencil, numbered 24/150, plate 19 3/8 x 15 1/2", full margins, published by Pierre AR Gillet, Paris, white gold frame. Provenance: Galerie Mich