A-ONE (ANTHONY CLARK) Untitled.

UNTITLED, 1970, three-dimensional organic forms of painted, sewn and modeled fabric, one signed and dated, average length 68” tall or long. Provenance: Diana Zlotnick Collection.

UNTITLED, 1966, three color lithographs, each signed in pencil, one inscribed artist's proof IV, one inscribed color separation proof I-II, one inscribed color separation proof II-II, sheets 29 3/4 x

UNTITLED, 1986, reverse painting with gold-leaf on glass, mounted to wood, signed (twice) and dated and stamped on back, 47 x 36” multi-directional, small repair on one corner, some small filled in

UNTITLED, color screen-printed aluminum sheeting hand-cut and manipulated sculpture, in two parts: one resting atop of another that is mounted to a Plexiglas base, signed in ink, overall 8 x 7 ½

UNTITLED, 1965, two lithographs, one on buff paper and one on white paper, each signed in pencil and inscribed trial proof, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind

#41 SEPTEMBER 24th, 1975; found-objects, assemblage collage, dated lower center in pencil, signed and dated and inscribed on verso; UNTITLED (One of the Found Objects), photograph; sheets 20 x 16 & 16

Mel Ramos SENORITA RIO , James Rosenquist UNTITLED , Claes Oldenburg FEMALE HEAD & Alfred Leslie UNTITLED, 1964, each a double-page color lithograph and letterpress, from the edition of 2000, printed

Sam Francis UNTITLED , Robert Indiana SEX ANYONE? , Alan Davie UNTITLED & Wallasse Ting KISSING COUPLE/ Lavender (four) , 1964, each a single page color lithograph and letterpress, from the edition of

UNTITLED, two color screenprints, each signed and numbered 17/54 in marker, sights 25 ½ x 7”, both in one frame 36 ½ x 27 ½” with Plexiglas

UNTITLED, 1965, two lithographs, one on buff paper and one on white paper, each signed in pencil and inscribed trial proof, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind

UNTITLED PRISM BARS, 2003, two acrylic painting on canvas, each signed Reynolds? and dated on verso, each 30 x 28”, both with minor surface soiling, one with two small scrapes lower right, otherwise

UNTITLED, three oil paintings on canvas, each signed lower right, 25 ¾ x 32”, 12 x 12” & 9 ¾ x 10 ¾”, all framed, all with very light surface soiling, large one with hair line cracking, small

UNTITLED 1975, 1977, one linocut and three block prints (same image), three signed and dated in pencil, two with artist’s blind stamps, linocut sheet 15 ½ x 10 ½”, block pri

UNTITLED, 1963-1966, three watercolors on paper, each signed and dated lower right, sizes 18 x 21 ½” to 13 ¾ x 19 ½”, one with small spots of old hinge adhesive residue on verso, one with tonin

UNTITLED, set of seven color etchings, each signed in pencil, from the numbered edition 99, with accompanying text page from portfolio, sheets 18 x 13â€, each framed (one broken, two with side crac

UNTITLED MOON SEASCAPES, 1977, three monoprints with watercolor, each signed and inscribed in pencil, images 6 x 3”, all with full margins, all in one frame 13 x 19 ¾” with glass. P

Jimmy Ernst UNTITLED, one color lithograph, signed in pencil, numbered 24/75, sheet 28 x 22”, David Shapiro KALA 7, 1991, color spit-bite, etching, drypoint and carborundum on blue Indian paper, sig

UNTITLED, 1974, two color linocuts, each signed and dated in pencil, one numbered 5/5 and the other inscribed AP (artist’s proof), images 10 x 13 ¼” & 15 ¾ x 12”, full margins, both framed. (2

Enrico Baj FIGURE, color intaglio, signed and numbered XXXIII/XXXV (33/35) Roman numeral in pencil, sheet 11 x 8 ½”; Jean Sariano UNTITLED, two gouache figures on one folded sheet of book s

UNTITLED, two ink drawings on thin hand-made paper, one with signed, both with red chop mark lower right, sheets 18 x 20 ½” & 18 x 23”, frames 20 ½ x 27 ½” & 22 ¼

UNTITLED, 1978, suite of four watercolors all in one frame, signed and dated lower right of far right sheet, each sheet 12 x 9”, frame 17 x 44” with glass. From the Collection of Laura Lee

Fielder LITTLE ONES,1966, a lithograph and a color lithograph, each signed and dated in pencil, numbered 199/200 & 38/200, sheets 22 x 30”; Gabriel Kohn UNTITLED, 1963, two of the same color lithogr

Untitled work is embellished with clear gesso. Both pieces signed in pencil lower right, numbered PP 3/6 (both) lower left. One piece titled 'Under Riverside Drive' lower middle. Images measure 25.75

Ed Clark, Untitled, Signed Lithograph, AP. Provenance: Private Philadelphia Estate. Frame: 29.5" x 41.5" Scene: 23.5" x 28.5"