A FINE PAIR OF ROYAL DOORS Greek, Kreta, 2nd half 17th

Fine pair of Victorian mahogany urn-form knife boxes in the George III style, the fitted interiors with lift up covers, 10 bands of inlaid ebony wood. 2nd half 19th Century. Measures: 8 x 8 x 24 inche

A Pair of Eastern Orthodox Gilt, Painted and Highly Carved Hardwood Royal Doors, 17th Century, Having a heavily carved acanthus leaf motif and two foliate masks encompassing two painted icons depictin

A FINE TRIPTYCH SHOWING THE PRESENTATION OF CHRIST TO THE TEMPLE, THE ASCENSION OF CHRIST AND THE TRANSFIGURATION Russian, 2nd half 17th century Tempera on wood panels. Finely executed in great detail

A teak Danish Mid Century Modern sideboard. 2nd half 20th century. Pair of doors with a diamond pattern design flanking a set of tambour doors with each section containing adjustable shelving. 31"h x

Museum late renaissance cabinet : Southern Germany, probably Augsburg - 2nd half of 17th c. Rectangular, two-door corpus on ball feet, fluted, hinged top, the interior with numerous drawers in archite

Pair of ornamental carafes Venice, 2nd half of 19th century. Colorless glass with vertically fused various spiral bands in white and gold ruby. Spout, handle and stand made of gilded metal, decorated

Fine Antique Haida Horn Spoon, Pacific Northwest Coast, 2nd half 19th C. This type of spoon is traditionally made from a pair of sheep or mountain goat horns, one shaped, boiled, and opened out to for

2nd half 19th century, pinned and paneled frames set with fine etched and frosted glass panels in the Louis XV-style depicting the Four Seasons, 106 x 26 in.

Greece, Hellenistic Period, ca. 2nd to 1st century BCE. A fine pair of lovely and high quality - over 23 karat! - gold earrings, each comprised of a thick tapering wire that broadens to a crescent or

Greece, Hellenistic Period, ca. 2nd to 1st century BCE. A fine pair of lovely and high quality 96.1% to 98.2%% (equivalent to 23K+) gold earrings, each comprised of a thick tapering wire that broadens

First half 19th century, American. In two parts, the upper case with cove molded cornice above a pair of six panel glass doors terminating in slightly splayed molded shoe feet which is joined to and s

Greece, Hellenistic, ca. 2nd to 1st century BCE. Carved in the round, a lovely marble head of a female, perhaps Aphrodite, the goddess of love, beauty, and procreation, depicted with her head turned a

Property of A Palm Beach Lady VERY FINE PAIR ROYAL WORCESTER PORCELAIN EWERS Decorated by Edward Salter, circa 1900Each of classic form, with a naturalistic scrolling foliate handle, decorated on one

Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

Very Fine Pair of Royal Vienna Vases/Urns. Austrian hand painted porcelain. H 22" x W 5.1/2"

HARRY STINTON. A FINE PAIR OF ROYAL WORCESTER OVOID PEDESTAL CABINET VASES AND COVERS the gilt highlighted green and brown tinged relief moulded bodies with twin handles and circular bases painted wit

Fine pair of Royal Worcester cabinet vases hand painted with doves on a sky blue background color. Each signed C. Baldwyn. Approximately 6.5 inches tall.

Neapolitan Master, 2nd half of the 18th Century, Boreas Abducting OrethyiaBoreas, god of the stormy north wind, loved the Athenian princess Oreithyia. He used his natural powers and forcibly abducted

Very Fine Pair of Baccarat/Russian Bronze & Crystal Vases. 19th Century. Possibly Russian. Height 14.5 inches Width: 4.5 inches Depth: 4.5 inches

A Fine French Figural Bronze Candelabras With Malachite Base. 19th Century. 27" x 13"

Festive icon Romania, Cartisoara, painter Matei Timforea, 2nd half of the 19th century. 66x60cm.

A FINE AND RARE ICON SHOWING THE INCREDULITY OF ST. THOMAS Greek, 17th century Tempera on wood panel. Christ standing in the center surrounded by the Apostles. St. Thomas to the left. Against an archi

Roman, Imperial Period, ca. 2nd century CE. A marvelous matched pair of cast bronze chariot fittings with projecting snake heads rising in sinuous curves from one side of each. Each is in the form of

Fine pair of Italian School architectural capricci, follower of Viviano Codazzi (1604-1670). Oil on canvas. One featuring the Roman colosseum, the other a landscape with ruins and figures. Each measur