3V EGYPTIAN RELIGION Naville Shorter Clark Myth

An ebony shabti (or ushabti), a shabti was a funerary figurine used in ancient Egyptian religion. Shabtis were placed in tombs among the grave goods and were intended to act as servants or minions for

Bronze statue of Hathor depicted as a cow. Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. Hathor was often depicted as a cow, symbolizing her maternal and

Two Egyptian Bronze Uraeus Finials Third Intermediate Period to Ptolemaic Period, 1070-30 B.C. Height of taller example 3 1/8 inches; height of shorter example 2 1/8 inches. Provenance: Susette Khayat

An Egyptian Faience Isis and Horus and an Egyptian Faience Sekhmet  Ptolemaic Period, 304-30 B.C. Height of taller example 2 1/8 inches; height of shorter example 2 inches. Provenance: Susette Khayat

The EARLIEST signed Gable we have ever handled in 30 plus years or SEEN offered a 8x10 of the brand new star with very interesting and hilarious inscription "Truly an apostle of religion and philosoph

Two Egyptian Alabaster Columnar Vessels Old Kingdom, Dynasty 4-6, 2575-2134 B.C. Height of taller example 4 1/2 inches; height of shorter example 4 3/8 inches. Provenance: Galerie du Sycomore, Paris,

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor

LE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5

REACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

SPECKLED BLACK FACE (AR.49), 1948, rectangular dish of white earthenware clay, decoration in engobes under glaze, white blue, black, turquoise, numbered 7/200 and Madoura Editions Picasso stamp undern

PRIDE OF ALGOMA #2, 1936, watercolor on Imperial Illustration Board, signed and dated lower right, titled and dated and inscribed on verso, stated size by artist on verso 17 x 22 1/2", frame 29 ¼ x 3

UNTITLED, 1971, ink and watercolor and gouache on paper mounted to silk, image 34 ¾ x 21 ¼", with scroll margins 39 ¾ x 26 ½", signed lower right. Originally from the estate of MM Shino Galley Los