1890's John Austin Sands Monks Sheep Drypoint Etching

John Austin Sands Monks (American, 1850-1917): Twilight, 1883. Etching, signature lower right, framed. 11.25 x 7.75 inches sight, 20.5 x 17.75 inches framed. Private Collection, New England

John Austin Sands Monks Massachusetts, Illinois,1850-1917 Depicts a flock of sheep in a fenced in field bathed in early morning light. Monks studied etching and painting under George Nelson Cass and G

'Sheep in a Field.' Etching. 7 x 6 in. Note: This comes from the artist's personal collection and is likely a unique etching. Provenance: Monk's family by descent to the artist's Great-grandson.

"Sheep Near Coast." Watercolor signed bottom left; together with an etching signed in the plate. 9 1/2 x 14 1/4 ; 18 1/8 x 22 1/8" (watercolor).

JOHN AUSTIN SANDS MONKSMassachusetts/Illinois, 1850-1917Landscape with sheep. Signed lower left “J.A. Monks”.Oil on canvas, 18” x 26”. Framed 26.5” x 34”.

John Austin Sands Monks (American, 1850-1917) oil on canvas, Sheep on the shoreline, signed lower left J.A.S. Monks, canvas 18 x 26 inches

Ink wash on paper laid down on board. Signed bottom center. Note: Monks did several etchings of Ram's including, "The Old Ram" in the 1880's. This painting is likely from this period and was a prepara

Large lot of unframed etchings, including Ostade, Millet, Strang, Slocombe, Heyer, J.F. Morgenstern, Daumont, Gustave Popelin, Corot, Martin Von Molitor, Charles Jacque, John Austin Sands Monks. All a

John Austin Monks Massachusetts, Illinois,1850-1917 Depicts a herd of sheep resting in a dark barn alongside chickens eating from a toppled over bucket housed in a finely carved Motyka frame. Monks st

John Austin Sands Monks (American, 1850-1917) Lambs and Ewes in the Fold oil on canvas signed lower left JAS Monks 26 x 42 inches. Provenance: Mission Gallery, San Diego, California. Property from the

Two works of illustration art (retained by the artist in his personal collection and thence by descent). Gouache and ink wash on artist board (signed and dated 1886); and ink on illustration board. 9

'Conanicut Island.' 1882. Signed and dated bottom right. Gouache and ink wash on artist board. 11 x 11 3/4 in. Note: It is believed that this painting depicts Sheffield Cove Jamestown, Rhode Island.

"Flooded Meadows." Watercolor on paper. 1888. Signed and dated lower left. Titled on verso in pencil and priced. 12 x 18 inches. Provenance: From the personal portfolio of J.A.S. Monks (American paint

'Ocean View.' Pastel. 9 5/8 x 14 inches. Note: Monks had a residence in Jamestown (Conanicut Island) Rhode Island and this is likely a scene from the Southern part of the Island where Monks along with

'Southern American Street Scene and African American Life.' Oil on artist board. 11 3/4 x 13 5/16 inches. This black and white and sepia toned painting is from Monk's personal portfolio. It was likely

John Austin Monks (American 1850-1917)- ''Rams Head''- etching, c. 1895, signed in pencil, staining in the margins and with in image. 15 x 12 11/16''

'Impressionist River and Landscape.' Watercolor. 9 x 12". Dedicated and signed bottom right. An unusual example of American Impressionism is in the artist's oeuvre and bears a resemblance to Inness's

'Cliffs with Seagulls.' Watercolor laid on board. 7 5/8 x 10 3/8 inches. Provenance: From the collection of J.A.S. Monks and to the present consignor, his great-grandson.

'American Homestead Scene.' Ink wash on paper with annotated pencil studies on verso. This was likely intended for reproduction or illustration. The top of the painting is annotated "#9." The verso pe

John Monks (American, 1850 - 1917): Sheep Etching. Etching on rice paper. Signed and dated (1886) in plate. John Monks was a painter and etcher of landscapes and animals, with sheep considered to be a

Framed drypoint etching on paper, Windswept Pine Trees, signed lower right John G. Mathieson (John George Mathieson, Scottish, fl.1918-1940), sight: approx 10.5"h, 9.25"w, overall: 24.5"h, 19.5"w, 4.5

18.75" X 16.75". Emerson Tuttle (1890-1946) framed and matted drypoint etching of a young raven. inscribed "for Edmund Joseph Phelps; Yale, date of plate creation 1937, though this print may have been

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Artist: Rembrandt van Rijn Title: The Beheading of John the Baptist Year: c. 1640 Dimensions: 5in. by 4in. Edition: From the rare limited edition Medium: Origin