1877 Texas lynching described by New York travelling

THE BOLIVAR (for JVH), 1990, acrylic painting and wood construction on board, signed and dated and titled on verso, 60 x 40”, frame 69 ½ x 49”. Provenance: Eugene Binder Gallery, Dallas.

Julian (Robert Julian) Onderdonk (1882 - 1922) was active/lived in Texas, New York. Julian Onderdonk is known for Floral landscape-bluebonnets, genre and seascape painting. Country Road Medium: Oil on

[TEXAS]. New York Evening Post for the Country. The Texas Revolution and the Goliad massacre. New York, 28 April 1836. Vol. 35, No. 3579. 4pp., large folio (635 x 457 mm), old centerfold, dampstains,

1877 NEW YORK History Illustrated MAPS Steamboats US Bridges 2v Martha Lamb “…three thousand miles from civilization, becomes within three centuries the seat of the arrogant metropolis of the West

rated 7, 9"x4", or less in size, all minor wear

Julian Onderdonk (Texas / New York, 1882-1922), "Golden Evening, S. W. Texas", oil on wooden panel in hand-carved and gilt Newcomb-Macklin frame (Chicago, Illinois) sight: 6 x 9 in., frame: 13.5 x 16

Julian (Robert Julian) Onderdonk (1882 - 1922) Julian (Robert Julian) Onderdonk was active/lived in Texas, New York. Julian Onderdonk is known for floral landscape-bluebonnets, genre and seascape pain

A beautiful oil on panel painting "trail of Blue Bonnet field" signed Texas/New York artist Julian Onderdonk (1882-1922), 4" X 7"

Julian Onderdonk (Texas / New York, 1882-1922), "Landscape at Vance Jackson Road", 1920, pencil landscape study on paper sight: 7.5 x 11 in., frame: 13 x 16 in. Provenance: Property from the ninetee

Julian (Robert Julian) Onderdonk (1882 - 1922)was active/lived in Texas, New York Country Road Medium: Oil on canvas Style: Impressionist Size: 22 " x 27 7/8 " Frame Size: 29 3/4 " x 35 3/4 " Conditio

Julian (Robert Julian) Onderdonk (1882 - 1922) was active/lived in Texas, New York.  Julian Onderdonk is known for Floral landscape-bluebonnets, genre and seascape painting. Noon Field Medium: Oil o

Victor C. Anderson (American, Texas, New York, 1882 to 1937) oil on canvas,a Life Magazine cover depicting Adam and Eve creating an invitation for his animals friends. Signed Victor C. Anderson + ES l

ARTIST: William Frederick Jarvis (Texas, New York, California, Ohio, 1868 - 1944) NAME: Autumn Lake Landcape MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE:

Julian (Robert Julian) Onderdonk (1882 - 1922) was active/lived in Texas, New York. Julian Onderdonk is known for Floral landscape-bluebonnets, genre and seascape painting. Spring Landscape Medium: Oi

PIANO; SERIAL NUMBER 37187. Circa 1877, New York. This is an extraordinary example with incredible full burled walnut case. Serial number is impressed on soundboard and case. Scrolled front legs are j

Framed oil painting on canvas, Spring Dogwoods, signed upper right V.A. Richardson (Volney Alan Richardson, Texas, New York, 1880-1955), sight: 19.25"h, 15.25"w, overall: 27"h, 22.75"w, 7lbs Start Pri

Julian Onderdonk (Texas / New York, 1882-1922), "The Texas Landscape Drawings", ed. 482/1000, folio containing (12) lithographs sheet: 12.5 x 14.5 in. Provenance: An Olmos Park, Texas collec

Butcher block top work table set on squared stretcher joined straight legs, mortise and tenon joinery, 31"h, 71"l, 33"d (2560) *Provenance: Estate of Howard Hand (Texas, New York, 1921-2011). A collec

1898 Westminster Kennel Club, 22nd annual dog show, handled, 6" tall, 8" handle end to handle end, 1 1/2 pints, Art Nouveau style, 319 grams............In 1877, New York was well on its way to becomin

VOLNEY RICHARDSONTexas/New York, 1880-1955Still life of flowers and porcelain. Signed upper left "V.A. Richardson".Oil on canvas board, 16" x 20". Framed 23" x 27".

Large gilt bronze and crystal lamp base, in the Neoclassical style, possibly Baccarat, c. 1880, fracture to glass base, approx 26"h, 15lbs *Provenance: Estate of Howard Hand (Texas, New York, 1921-201

Francisco Toledo (Texas / New York / Mexico, 1940-2019), "Mujer y Tortugas", etching and drypoint, signed and numbered ed. 7/10, hinged to foamcore sight: 11 x 7.5 in., frame: 19.5 x 16 in.

Continental giltwood rectangular mirror with floral and foliate mount at top, 19th c., 40.5"h, 23.5"w, *Provenance: Estate of Howard Hand (Texas, New York, 1921-2011). A collector and seller of fine a

Framed lithograph, "Un Momento de Silencio", signed lower right Pedro Friedeberg (Mexico/Texas/New York/Italy, b. 1936), artist proof #2, sight: 20.5"h, 20.25"w, overall: 26"h, 25.25"w, 7.25lbs Start