1800s Alfred Robert Freebairn Engraving Fieze of Parthenon Framed

Joseph Mallord William Turner (English, 1775-1851). Stranded Vessel off Yarmouth. Antique engraving on wove paper after the original by master engraver Robert Brandard (British, 1805-1862).Year: 1878.

William Callow (British, 1812-1908). The Bay of Naples, Early Morning. Antique engraving on wove paper after the original by master engraver Robert William Wallis (British, 1794-1878). Year: 1856. Sig

Albrecht Durer (1471 - 1528). "Melencolia I (Melencholia I) ". Antique Copper plate engraving on laid paper after the original by a master engraver. Year: c. 1850. Signed in the Plate (lower right on

1800s William Blake ART Sacrifice of Job Color Illustrated Framed Engraving William Blake was an English poet and painter whose work was underappreciated during his lifetime but became immensely popul

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl

AUDUBON, John James (1785 - 1851). Yellow Crowned Heron, Plate 336. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 3/4" x 25 1/8" sheet, 44 3/4" x 32" framed. Compar

AUDUBON, John James (1785 - 1851). Green Heron, Plate 333. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 x 38 1/2 x 37 x 50 framed. Comparable: Sotheby's, 2009 - $7

AUDUBON, John James (1785 - 1851). Ferruginous Thrush, Plate 116. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 3/4" x 25" sheet, 45 1/2" x 32 1/2" framed. Comparab

AUDUBON, John James (1785 - 1851). Greenshank, Plate 269. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38" x 25 1/4" sheet, 49 3/8" x 36 3/4" framed. Comparable: Guer

AUDUBON, John James (1785 - 1851). Little Auk, Plate 339. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 13" x 20" visible, 34 3/4" x 41 1/4" framed. Comparables: Chris

Black Throated Warbler, Blackburian Warbler, Mourning Warbler, plate CCCXCIX, No. 80 1837 engraving with etching, aquatint and hand-coloring plate mark: 49.5 x 31.5 cm (19 1/2 x 12 3/8 in.) framed dim

Blue-eyed Yellow Warbler, plate 95, No. 19 1830 engraving with etching, aquatint and hand-coloring plate mark: 50 x 31 cm (19 3/4 x 12 1/4 in.) framed dimensions: 57 x 72 cm (22 1/2 x 28 3/8 in.) PROV

(BOTANICAL.) Dr. Robert John Thornton. Group of 14 uniformly framed plates from the quarto edition of Temple of Flora. Hand-finished color-printed aquatint and stipple engravings. Quarto sheets in att

Rockwell Kent (Am. 1882-1971) Bowsprit, 1930 Wood engraving, framed under glass Signed in pencil l.r. 5 7/8" x 7 3/8" sight, 12 15/16" x 14 5/16" framed Provenance: Private Collectio

Estate / Collection: Property from the Collection of John J. Caliolo [ANTIQUE VASE DESIGNS] Two hand-colored engravings, framed; Together with Giovanni Cassini [ANTIQUE VASE DESIGNS], two hand-colored

Pablo Picasso Homme Arretant Un Cheval Devant Une Femme, Man Stopping a Horse in Front of a Woman, Engraving, Pencil Signed and Numbered 26/50 Framed and Carries Museum Works Fine Art Galleries Label

Robert Motherwell Framed Art - Africa 10 (from the Africa Suite) - 44 in tall x 32 x 2

Robert Motherwell Framed Art - Africa 1 (from the Africa Suite) -Number 115 of 150 - 44 in tall x 32 x 2

Framed engraving on paper, Map of North America from the Latest Authorities, published by J.H. Colton (Joseph Hutchins Colton, 1800-1893), No. 86 Cedar St., New York, 1846, drawn and engraved by J.M.

An American abstract oil painting on canvas by Alfred Leslie, 1957. The painting is a bright geometric abstraction. The artists signature and date is lower on the right. Framed. Alfred Leslie, 1927 to

Paul Cadmus (American, 1904-1999), "Nudo #1, #2, #3", set of three framed engravings of Cadmus' longtime companion, Jon Anderson, 1984, Davenport 58 (as the set of three), Ed: 30, in the second state,

"Summercoursing Heathery Scorch" - Oil painting on Linen by Stanley Robert Boxer. Dated 1980 and signed lower right. Includes Appraisal for $30,000.00. Frame measures approximately 80" x 26". *If you