† Attributed to Kim Deuk-sin (金得臣, 1754-1822)

CHARLES PEALE POLK (AMERICAN, 1767-1822), ATTRIBUTED, SHENANDOAH VALLEY OF VIRGINIA, BRISCOE FAMILY PAIR OF PORTRAITS, (updated 6/17/22) oil on canvas laid to board, each a three-quarter length depict

Attributed to Kim Whanki, it does not have a COA. Medium: oil canvas. 17 x 15.5 inches. Provenance: private owner. Biography: 1913 - 1974. Kim Whanki, also Kim Whan-ki or Kim Hwan-gi, was a pioneering

Antonio Canova (1757-1822)-attributed Forum Romanum with the artist sitting on a stone, officers, washing Womans and Gentlemans, watercolour on paper, framed under glass. 42x55cm

Oil painting on board depicting two abstract birds attributed to Kim Whanki (South Korean, 1913-1974). Signed lower right. Measures 9 1/2" x 7 1/2". Frame measures 11 1/2" x 9 1/2".

Attributed to Kim Whanki, it does not have a COA. Medium: oil canvas. 26 x 20 inches. Provenance: private owner. Biography: 1913 - 1974. Much has been written and published about Kim Whanki, the most

Shipping in USA $ 350.Kim Whanki was a painter and pioneering abstract artist of Korea, born in the village of Eupdong-ri on the island of Kijwa, of Anjwa-myeon, Sinan County, South Jeolla Province in

Oil painting on oval canvas showing the portrait of Lady Amelia Darcy, 9th Baroness Conyers and 12th Baroness Darcy de Knayth, 1754-1784. Attributed to Francois Hubert Drouais 1727-1775. Not signed, r

Oil on canvas, framed. Featuring three spindly trees. Signed "whanki" in the bottom right corner. Attributed to Whanki Kim (1913-1974, Korean). Canvas size: 69 x 79 cm (27 x 31 inches). Frame size: 84

U.S. Grant 1868 Presidential Campaign Button A campaign button lapel pin promoting the presidential campaign of future 18th U.S. President Ulysses S. Grant (1822-1885), attributed to the Scovill Manuf

Group of four engravings from the 1806 and 1822 editions attributed to Alexandre de Laborde. Views of Spain. Sheets measure 16 in. x 22 in. Unframed, loose and not mounted or glued down. If lot is abs

after design by Thomas Chippendale, The Gentleman and Cabinet-Maker's Director 1754, plate LI, attributed to Gillows, mid-18th century. With carved icicle form stretchers, pierced gallery. Provenance

Jacob Eicholtz (American, 1776-1842). An oil on canvas portrait of a seated gentleman, in a gilt wood frame. Attributed en verso, dated 1822. Canvas: 29-1/2in x 24-1/2in. Frame: 40in x 34-1/2in. | Loc

Attributed to Heung Sou Kim, it does not have a COA. Medium: oil canvas. 24 x 20.5 inches. Provenance: private owner. Biography: 1919 - 2014. Born in 1919, in Hamhung which was under the rule of Japan

Attributed to Bingshou Yi (1754-1815 Chinese) Equestrian Scroll Painting on Silk 37.5''x25'' Image. Depicts a man on horseback with two horses. Various calligraphy inscriptions and artist chop seals.

Group of four pencil sketches, animal studies, attributed* to Rosa Bonheur (1822-1899). Each with artist's stamped signature. 5 7/8 x 3 3/8 inches, each. Very good condition. Unframed for inspection a

Group of four pencil sketches, animal studies, attributed* to Rosa Bonheur (1822-1899). With artist's stamped signature. 5 7/8 x 3 3/8 inches each. Very good condition. Unframed for inspection and pos

Attributed to Gainsborough Dupont (c. 1754-1797): The Right Honorable William Pitt, Chancellor of the Exchequer Oil on canvas, unsigned, with label from Henry Graves, London. 50 x 40 in., 57 x 47 in.

Rosa Bonheur (attrib.), large scale painting, Attributed to Rosa Bonheur (French, 1822-1899), Two Cows, oil on canvas, signed "R. BonheuR" lower left, unframed, 39"h x 59"w

After the Roman Elgin Marbles in antique frames attributed to F. Henning, London, 1822. Christie's labels on reverse. English, 19th C. L. of frame: 39.4 cm (15 5/8 in.)

Attributed to William Camp (1773-1822, active 1801-1822), circa 1820. The piece having a tall back with carved backrest leading down to handsomely shaped side railed ending in rosettes atop turned and

Handsome Louis XVI Provencal Canape 18th century, attributed to Pierre Nicolas Pillot (1748-1822), Nimes, France, the carved and molded polychromed frame with a central floral spray, acanthus-carved a

James W. Baldock (attrib.), (2) Horse Portraits, Attributed to James Walsham Baldock (British, 1822-1898), oil on canvas, both initialed "JWB" and dated 1887, each 17"h x 23"w (sight), 24"h x 30"w (fr

ATTRIBUTED TO CHARLES LOUIS HEYDEVermont, 1822-1892Vermont riverscape. Unsigned.Oil on canvas, 10î x 12î. Framed 16î x 18î.

Jacob De Wit (Dutch, 1695-1754) A Flying Putto unsigned; attributed by Dr. A.W.F.M. Meij, (former) curator of Museum Boijmans-van Beuningen, Rotterdam (according to an inscription on the backing paper