EXTRAORDINARY, RARE SET, MASSIVE 18/19th Chinese Qing Dynasty Lacquered Imperial Dragon Screen.
Property of General Chen CangQuan; acquired in 1970's, Chay Kee, Kowloon, Hong Kong.
Constructed in an arched nine tall rectangular screen panels, set upon three prominent base pedestals. Ornately lacquered after an imperial example with all over decoration of dragons pursuing flaming pearls. Decorated wealthy with detailed dragons motif in various color chasing a flame pearl within fumes clouds over Li-Shui water and rocky mountain within pale-yellow ground, all reserved against vermillion-red lacquered frames. The composition is sophisticated and the decoration colors are simply a feast for the eye. The main color of the cinnabar Vermillion-Red means happiness, while the Dragon in Chinese Symbols is power, royalty and a yang symbol.

PROVENANCE:
From the collection of General Chen Qi (陳淇) (1912-2000), who styled himself as “Cangquan” (滄泉）and “Yuquanshanren”（玉泉山人), an artist, calligrapher, a prominent businessman and private antiques collector.
EDEN Fine Antiques Galleries is honored and proud to offer General Chen Qi's heirloom collections.
http://chen-qi.net/
https://en.wikipedia.org/wiki/Chen_Qi_(collector)

Dimension: 147" L x 107" H
LOT NOTES:
:
In the Tang dynasty (618-907), Chinese lacquer-ware saw a new style marked by the use of sheets of gold or silver made in various shapes, such as birds, animals, and flowers. The cut-outs were affixed onto the surface of the lacquer-ware, after which new layers of lacquer were applied, dried, and then ground away, so the surface could be polished to reveal the golden or silvery patterns beneath. This was done by a technique known as pingtuo. Such techniques were time-consuming and costly, but these lacquer-wares were considered highly refined. It was also the period when the earliest practice of carving lacquer-ware began.
The art of inlaid gold, silver, and mother-of-pearl continued from the Tang into the Song dynasty. Several existing decorative techniques gradually developed further after the 10th century, such as qiangjin (engraving filled in with gold), diaotian or tianqi (inlaid with lacquer of a different color), and diaoqi (carved lacquer. Especially the art of inlaying lacquer with mother-of-pearl was intensively developed during the Song dynasty (960-1279). However, during the Song, the artistic craft also made use of inlaid gold in a process of which is to engrave intricate patterns in the lacquer surface and to fill the intaglio with gold powder.
The knowledge of the Chinese methods of the lacquer process spread from China during the Han, Tang and Song dynasties, eventually it was introduced to Korea, Japan, Southeast and South Asia.

Over all in EXCELLENT condition. Some stress of wear. Crackquerle on lacquers. Natural wood imperfection, wood joint mark, minor scratches and dents. Normal consider ages and wears.

Please Note: EDEN Fine Antiques Galleries provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.