Engraving by William Blake. Limited Edition Print from 1927. Made in England by Chiswick Press. This is number 1021 of 1550. The Art size is 9"tall and 7" wide. The Frame is 25 1/2" tall and 21 1/2" wide. shipping weight 15 pounds.William Blake 1757-1827The son of a hosier, William Blake had little formal education and no money; but nonetheless became in the eyes of critics, one of the very greatest English poets and painters - a modern prophet. Blake came of age as an artist during the French Revolution, and his pictures of gloating serpents and fiery figures are some of the earliest of the great romantic statements. Blake was sent to drawing school at the age of ten, and then was apprenticed to an engraver. When the apprenticeship ended, he studied briefly at the Royal Academy for painting. He pored over the work of Michelangelo, whom he admired for his discovery of an ideal spirit clothed in human form. His other love was for the Middle Ages. Many of Blake's lines curl in Romanesque shapes, and the luxuriant foliage of forms suggests the gothic.His illuminated books, so closely related to medieval books, are his most original creations. The books are a kind of handmade universe. Blake wrote the poetry, penned the scripts, engraved the designs and colored the prints. His images illuminate, refresh, criticize and enrich the text. His masterpiece may well be his engravings for the Book of Job, in which his strength as a craftsman matches his vision as an artist. The clear-cut quality of his line, so reminiscent of Durer, transforms the story into a Blakean, not a Biblical, parable of man's rise and fall.To Blake, art was lines. Lines moved; they netted the imagination. He despised fashionable chiaroscuro, Venetian coloring and painting for painting's sake. Blake's pictures can seem dull; they are sometimes wooden and predictably colored. Yet his best images somehow seize the mind. His work is rank with genius, not smooth with polish. That lack of distance makes him one of the most personal of artists. His mythic figures may seem distant at first but they were always just symbols for man's "divided self". In a period when reason had dethroned faith, he found a way to keep the notion of paradise alive by moving it into the human imagination. He did this fully aware of the nature of the world around him, believing that art, the fruit of the imagination, could regenerate man. Today, there are no more channels for the imagination than there were in Blake's time - which many explain why his visions are still so moving.

Very Good Condition