A PAIR OF MINTONS PATE-SUR-PATE PEACOCK BLUE VASES, 'LE DINNER ET L'ECOLE'

DATE CYPHER FOR 1881, IMPRESSED UPPERCASE AND GILT-CROWNED GLOBE MARKS, VARIOUS IMPRESSED CYPHERS, INCISED SHAPE NO. 1722, SIGNED L. SOLON

Details

Finely painted and hand-tooled in white slip, each with a central maiden either feeding putti's minds, with various putto reading or writing at tables, or stomachs, with putti drinking and eating at the surrounding tables, the neck decorated in cream, olive, chocolate brown and blue with flowers and scrolling foliage, with loop handles terminating in rosettes, the lower bodies decorated in similar colors with geometric patterns and on a conforming circular foot
15 1/4 in. (38.7 cm.) high


Lot Essay

The present vases are noted in Solon's journal as being completed between 11 December 1881 and 11 January 1882, with two days off for Christmas.
The celebrated ceramic artist Marc Louis Solon came to England in late 1870 following the outbreak of the Franco-Prussian War. The Minton factory had, under the directorship of Léon Arnoux, acquired a reputation for attracting the most skilled craftsmen from leading porcelain factories on the Continent. Solon enjoyed a long and successful association with the Minton factory producing some of the manufactory's most memorable pieces, including numerous works displayed at the great expositions of the late 19th century. As U.S. Commissioner Blake observed in his Reports of the United States Commissioners to the House of Representatives following the 1878 Paris Exposition Universelle, three years prior to the present vases' completion, Solon's "work is incomparably superior to that of any of his imitators, far surpassing in art value the best examples of figure subjects from the kilns of Sèvres. He alone fully and satisfactorily unites skill in the technique of paste and glaze and the genius of sculptor and designer. His favourite subjects, as is well known, are the female form, Cupids and cherubs. He delights in illustrating the pranks Cupid plays with the hearts of maidens." For an exhaustive discussion of Solon's work at Minton, see B. Bumpus, Pâte-sur-Pâte, London, 1992, pp. 100-151.